I’ve recently edited a special edition of the Journal of Pan African Studies on hip hop in Africa. With articles by myself and a diversity of other scholars writing on Kenya, Nigeria, Senegal, South Africa, Tanzania, and Zimbabwe.
● The Struggle for Hip Hop Authenticity and Against Commercialization in Tanzania by Msia Kibona Clark
● Urban Guerrilla Poetry: The Movement Y’ en a Marre and the Socio-Political Influences of Hip Hop in Senegal by Marame Gueye
● “Chant Down the System ‘till Babylon Falls”: The Political Dimensions of Underground Hip Hop and Urban Grooves in Zimbabwe by Katja Kellerer
● From Compton to Cape Town: Black(faceless)ness and the Appropriation of Gangsta Rap in Die Antwoord’s “Fok Julle Naaiers” by Lanisa Kitchiner
●The Hip Hop Revolution in Kenya: Ukoo Flani Mau Mau, Youth Politics and Memory, 1990-2012 by Mickie Mwanzia Koster
● Swag’ and ‘cred’: Representing Hip-hop in the African City by Caroline Mos
● Hip Hop Music as a Youth Medium for Cultural Struggle in Zanzibar by Shani Omari
● Troubling the Trope of “Rapper as Modern Griot” by Damon Sajnani
● “The Blueprint: The Gift and The Curse” of American Hip Hop Culture for Nigeria’s Millennial Youth by Stephanie Shonekan
Check out the issue: http://www.jpanafrican.org/archive_issues/vol6no3.htm
Cover photo is Thiat from the Senegalese group Keur Gui performing at the Trinity International Hip Hop Festival. Photo by Msia Kibona Clark. 
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