HHAP Episode 50: The Mixtape Episode P. 2

This episode is our second mixtape episode. The episode features the most recent works of 23 of Africa’s fiercest lyricists. All of songs featured on this episode were released in 2018 and 2019, and features women from across Africa, and African women who reside in the Diaspora. Some of the artists are fairly well known to followers of African hip hop scenes, while others are more up & coming. Some of the artists, like Burni Aman, EJ von Lyrik, and Jean Grae have been active for two decades. Others are new to the game, and quickly making a name for themselves. They also are diverse in their styles and the languages they rap in. The artists also differ in terms of content, some of the songs offer social commentary, some are displays of braggadicio, and some are simply about having a great time. The common thread is that they all represent some of the best lyricists out today.

It was important that all of the artists and songs in this episode be submitted and voted on by serious hip hop heads, people who are active in hip hop communities. So, thank you to the hip hop heads and experts who contributed to making this mixtape possible:

Mikko from Planet Earth Planet Rap
Ikenna aka Bionic from Rap Radio Africa
Seth Markle, Associate Professor and Faculty Advisor for the Trinity International Hip Hop Festival at Trinity College in the United States
Nimoh from Sauti Za Mabinti
Buddha Blaze, podcaster & talent manager
Xuman, Senegalese hip hop legend, pioneer, and avtivist
Elom 20ce, Togolese hip hop artists and activist and founder of Arctivism

Track List

Sampa The Great “Final Form” from The Return (2019) (Australia/Zambia)
EJ von Lyrik (with Roufaida) “Ego” (2019) (South Africa & The Netherlands /Morocco)
Burni Aman & Jean Grae “Masters of the Humanverse” (2019) (Switzerland/South Africa & U.S./South Africa)
Little Simz “101 FM” from Grey Area (2018) (UK/Nigeria)
Isatta Sheriff “Beat Therapy Freestyle” (2019) (UK/Sierra Leone)
Blaise “Hennessy Cypher” (2019) (Nigeria)
L-Ness “Freestyle ‘Peers w/Bars’” (Kenya)
Rouge “Rouge Freestyle on Sway” (2019) (South Africa/DRC)
Xtatic “Reignition” from Tatu EP (2019) (Kenya)
Abena Rockstar “Politically Incorrect” from Harvest Season (2019) (Ghana)
Eva Alordiah “Solo Life” (2019) (Nigeria)
Phlow “Hiphop” (2019) (Nigeria)
Lauretta Yemoja “Inferno” (2019) (Nigeria)
Moonaya “Il est temps” (2018) (Senegal)
Mina la Voilée “Girl Power” (2019) (Senegal)
Sista LB “Ji gën – Ladieme” (2019) (Senegal)
OMG “Lu Ci Sa Yoon” (2019) (Senegal)
Flash Marley (with Vicky R) “La Madre” (2019) (Togo)
Assessa “Izangoma” from Ugogo Ep (2018) (South Africa)
Kanyi Mavi “Umsindo” (2019) (South Africa)
Gigi Lamayne “Winnie” from Job Woods (2019) (South Africa)
Yugen Blakrok “Carbon Form” (2018) (South Africa)

HHAP Episode 48: Elom 20ce on The Role of Hip Hop in the Struggle for Pan Africanism

Togolese hip hop artist Elom 20ce is a multitalented artist, activist, and Pan Africanist. He brings Pan African ideals to his music and his art, and this episode Elom discusses studying international politics and working with the United Nations, and how his studies and experiences influenced his music. After witnessing the hypocrisy around international development and politics, he felt compelled to speak on it in his music. In his music he talks about the importance of Pan Africanism and the current state of neocolonialism that many African people find themselves living in. He stressed that neocolonialism is not just about what Europeans are doing, but it is also about our lack of unity. In the interview we also discuss hip hop in Francophone Africa, and how it differs from hip hop in Anglophone Africa. Elom explains that a lot has to do with Francophone Africa’s colonial history. The French had a system of direct rule, meaning that they were much more involved in not only economic control, but also influencing and transforming the culture of their colonies. The French maintained control over their colonies, even after independence. Elom believes that as a result, Francophone Africans are still struggling for their independence.

Elom 20ce also talks about his “Arctivism” project, and the importance of activism and hip hop. He talks about being introduced to the works of George Jackson, Frantz Fanon, and Cheikh Anta Diop, and others through hip hop. Through Arctivism, he hosts programs and workshops that facilitate dialogues around freedom of speech, development, and Pan Africanism. 

Elom 20ce is online at

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