Category: Togo
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Mixtape: Francophone Hip Hop and Political Consciousness
Hip-hop is at the forefront of political contestation in Francophone Africa, and has been for decades. Too-often unrecognized in the West, particularly in the Anglophone world, French African rap artists have carved out a place in civil societies across the continent as politicians, pundits, public intellectuals, and rebels, sometimes directly playing essential parts in changing
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Political rap throughout francophone Africa
Political rap is a style of rap characterized by the political dimension of lyrics dealing with societal themes, reflecting both a commitment as well as a desire for collective emancipation. In the African continent, the theme of political rap is used as a way to express a vision of the world which denounces inequalities. For
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HHAP Episode 50: The Mixtape Episode P. 2
This episode is our second mixtape episode. The episode features the most recent works of 23 of Africa’s fiercest lyricists. All of songs featured on this episode were released in 2018 and 2019, and features women from across Africa, and African women who reside in the Diaspora. Some of the artists are fairly well known to followers of African hip hop scenes, while others are more up & coming. Some of the artists, like Burni Aman, EJ von Lyrik, and Jean Grae have been active for two decades. Others are new to the game, and quickly making a name for themselves. They also are diverse in their styles and the languages they rap in. The artists also differ in terms of content, some of the songs offer social commentary, some are displays of braggadicio, and some are simply about having a great time. The common thread is that they all represent some of the best lyricists out today. It was important that all of the artists and songs in this episode be submitted and voted on by serious hip hop heads, people who are active in hip hop communities. So, thank you to the hip hop heads and experts who contributed to making this mixtape possible: Mikko from Planet Earth Planet Rap Ikenna aka Bionic from Rap Radio Africa Seth Markle, Associate Professor and Faculty Advisor for the Trinity International Hip Hop Festival at Trinity College in the United States Nimoh from Sauti Za Mabinti Buddha Blaze, podcaster & talent manager Xuman, Senegalese hip hop legend, pioneer, and avtivist Elom 20ce, Togolese hip hop artists and activist and founder of Arctivism Track List Sampa The Great “Final Form” from The Return (2019) (Australia/Zambia) EJ von Lyrik (with Roufaida) “Ego” (2019) (South Africa & The Netherlands /Morocco) Burni Aman & Jean Grae “Masters of the Humanverse” (2019) (Switzerland/South Africa & U.S./South Africa) Little Simz “101 FM” from Grey Area (2018) (UK/Nigeria) Isatta Sheriff “Beat Therapy Freestyle” (2019) (UK/Sierra Leone) Blaise “Hennessy Cypher” (2019) (Nigeria) L-Ness “Freestyle ‘Peers w/Bars’” (Kenya) Rouge “Rouge Freestyle on Sway” (2019) (South Africa/DRC) Xtatic “Reignition” from Tatu EP (2019) (Kenya) Abena Rockstar “Politically Incorrect” from Harvest Season (2019) (Ghana) Eva Alordiah “Solo Life” (2019) (Nigeria) Phlow “Hiphop” (2019) (Nigeria) Lauretta Yemoja “Inferno” (2019) (Nigeria) Moonaya “Il est temps” (2018) (Senegal) Mina la Voilée “Girl Power” (2019) (Senegal) Sista LB “Ji gën – Ladieme” (2019) (Senegal) OMG “Lu Ci Sa Yoon” (2019) (Senegal) Flash Marley (with Vicky R) “La Madre” (2019) (Togo) Assessa “Izangoma” from Ugogo Ep (2018) (South Africa) Kanyi Mavi “Umsindo” (2019) (South Africa) Gigi Lamayne “Winnie” from Job Woods (2019) (South Africa) Yugen Blakrok “Carbon Form” (2018) (South Africa)
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HHAP Episode 48: Elom 20ce on The Role of Hip Hop in the Struggle for Pan Africanism
Togolese hip hop artist Elom 20ce is a multitalented artist, activist, and Pan Africanist. He brings Pan African ideals to his music and his art, and this episode Elom discusses studying international politics and working with the United Nations, and how his studies and experiences influenced his music. After witnessing the hypocrisy around international development and politics, he felt compelled to speak on it in his music. In his music he talks about the importance of Pan Africanism and the current state of neocolonialism that many African people find themselves living in. He stressed that neocolonialism is not just about what Europeans are doing, but it is also about our lack of unity. In the interview we also discuss hip hop in Francophone Africa, and how it differs from hip hop in Anglophone Africa. Elom explains that a lot has to do with Francophone Africa’s colonial history. The French had a system of direct rule, meaning that they were much more involved in not only economic control, but also influencing and transforming the culture of their colonies. The French maintained control over their colonies, even after independence. Elom believes that as a result, Francophone Africans are still struggling for their independence.
Elom 20ce also talks about his “Arctivism” project, and the importance of activism and hip hop. He talks about being introduced to the works of George Jackson, Frantz Fanon, and Cheikh Anta Diop, and others through hip hop. Through Arctivism, he hosts programs and workshops that facilitate dialogues around freedom of speech, development, and Pan Africanism.
Elom 20ce is online at- Website: http://elom20ce.com
- Twitter: https://twitter.com/Elom20ce
- Bandcamp: https://elom20ce.bandcamp.com
- YouTube: https://www.youtube.com/channel/UC-Mpn9hRpr8mUuNJ7adxMGg
- Instagram: https://www.instagram.com/elom20ce
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Summer Years
The most recent album of Tabi Bonney’s is The Summer Years. This album, along with the previous album Fresh, was carefully structured and proved to be a better work than those past. With the help of Ski Beats linked together by the former Rockafella CEO Dame Dash, The Summer Years cultivated into an unforgettable album.
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Biography of Tabi Bonney
The year is 1970 and Itadi Bonney was the most influential and most celebrated musicians in Togo. Heavily influenced in politics, he wrote a song by the name of Mayi Africa that criticized the president Gnassingbe Eyadema and his deadly tactics to in force democracy in his home country. Receiving multitudes of governmental backlash from
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Tabi Bonney Biography: Washington Post “Tabi Bonney’s hip-hop stems from his Father’s Musical Influence
Tabi was born in Togo in 1977, his father was a musician who was one of the most celebrated musician in his country. His father played guitar and an Afro-funk singing style that was combined with the sparkle of soulous, highlife, and a little bit of reggae. His father met his mother after a gig
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Tabi Bonney Bio
Tabi Bonney Biography Tabiabue Bonney (Tabi’s birthname)was born in 1977 in West Africa, in Lome, Togo. For the first 13 years of his life he traveled back and forth from Togo and Washington, D.C., where his mother is from. Tabi’s father was a popular music artist in Togo, who was exiled from Togo when Tabi
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Tabi Bonney Album Review – “The Summer Years”
This album is very diverse in its cuts, mostly due to the various other artists Tabi has collaborated with. There is nothing that I heard that relates to immigration. In my opinion immigration may not be central to his lyrics because he attended High School in Washington D.C., and does not necessarily connect strongly with
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Dope!
In his sophomore album “Dope” Tabi Bonney comes a bit harder in terms of the production quality, and in some cases his lyrics. Listening to this album I definitely hear more maturity, more mention of Africa and his home town Lome, Togo, and of course, the same amount of party songs about girls, weed and