HHAP Episode 28: Politics & Hip Hop from the Children of Sundiata

This episode is a conversation with Malian hip hop artist and activist Amkoullel L’enfant Peulh on hip hop and politics in Mali. Amkoullel has been involved in hip hop culture in Mali for many years, and he’s been vocal about politics inside and outside of the country. Having lived in France and the United States, Amkoullel is back in Mali where he remains involved in the hip hop community. He is also involved in mentoring artists and working in TV and radio production and distribution in Mali.

A strong voice in Malian hip hop, in this conversation we discuss the political nature of Francophone rap in West Africa, specifically in Mali, Senegal, and Burkina Faso. Amkoullel traces how hip hop artists in Mali developed their own lyrical identity, based in large part on their own oral traditions and cultural identities. 

In discussing the past and current political events in Mali, Amkoullel talks about the roles of artists in social change and the importance of artists  representing the voice of the people when they use their platform on the international stage. Amkoullel also discusses the impacts of the media’s misconceptions of Mali within the country, as well as the impact of political events in Mali on Malian hip hop.

We begin the episode with one of Amkoullel’s early songs, “Farafina”, which was released in 2010. 

The next song is “Maliko”, which was recorded by several Malian musicians, including Amkoullel. The song is a call for peace and an end to violence against women.

Amkoullel is on Instagram: https://www.instagram.com/amkoullel_a.k.a._ez_ba/ 

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HHAP Episode 27: Laura Lora on the Politics of Gender & a Ghanaian American Identity

In this episode we speak with Ghanian-born, U.S. based artist Laura Lora. In the interview, Laura Lora talks about her experiences an artist, navigating between Ghana and the United States. Growing up in Los Angeles has definitely influenced her music and style, as she talks about being Ghanian and American. Laura Lora, who majored in Black Studies in college, also talks about her experiences in the African American community, and with the divide between Africans and Africans Americans in the United States. 

Her music and work has also placed her in conversations around gender and sexuality, where she chooses to confront ideas on how African, or Ghanian women should dress and behave. In this interview she also addresses ideas of beauty and femininity, which she has also chosen to challenge. 

Laura Lora is very conscious and intentional about her music, and the messages she wants to send. She is very intentional about her confrontations with gender and identity. Her most recent video for the song “Rebel” blends hip hop, femininity, Ghanian ascetics, and American sounds and visuals. The colorful video is clear in its expression of all of these identities.

You can find Laura lora on:
lauraloramusic.com
SoundCloud @lauraloramusic
Facebook @Lauraloramusic
Instagram @Mslauraloa
Twitter @akaDeviantLady 

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African Dance: Between the Continent & the Diaspora

This is a short video created for one of our classes to show the similarities in contemporary dance in African & African American cultures. It looks at dances like azonto, the Harlem shake, eskista, hit the Quan, gwara gwara, & others. We’re posting it in hopes that it can be a resource for others.

HHAP Episode 26: Hip Hop Studies at Black Universities in the U.S.

This episode is an African Studies palaver on teaching hip hop related courses at historically Black colleges and universities (HBCUs). The discussion focused on approaching hip hop studies from African centered perspectives, as well the impact of those courses being taught at HBCUs on their structure and content.

Leading the discussion are hip hop professors/activists who are teaching hip hop related courses and participating in important dialogues within hip hop studies.

Greg Carr @AfricanaCarr‏ Howard University

Tewodross Melchishua Williams Bowie State University

Jared Ball @IMIXWHATILIKE  Morgan State University

Moderator: Msia Kibona Clark @kibona Howard University

The event was held at Howard University and was sponsored by the Department of African Studies and the Ralph Bunche International Affairs Center.

Music by Sa-Roc: http://sarocthemc.com | @sarocthemc | facebook.com/sarocthemc/

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HHAP Episode 25: Klein Fortuin on Hip Hop in Mitchells Plain & Rock the Mic

This conversation with Rock the Mic winner, and Cape Town MC Klein Fortuin took place at the Trinity International Hip Hop Festival at Trinity College in Hartford, Connecticut in April 2018. Klein Fortuin won the Rock the Mic competition held by Heal the Hood, a Cape Town based hip hop community organization. 

In the conversation Klein Fortuin talks about his career and hip hop in the Mitchells Plain township in Cape Town, South Africa, which is home to a legendary hip hop scene and the birthplace of South African hip hop. Klein Fortuin talks about what makes that township such an epicenter for hip hop culture in South Africa.

Klein Fortuin also talks about his win in Heal the Hood’s Rock the Mic competition and commercial and underground rap scenes in South Africa.

Klein Fortuin is on SoundCloud (https://soundcloud.com/klein-fortuin) and Facebook (https://www.facebook.com/kleinfortuin/)

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HHAP Special Episode: Hip-Hop in Africa Book Talk

This is a special episode of the Hip Hop African Podcast. This episode is a conversation between Dr. Msia Kibona Clark, the author of Hip-Hop in Africa, and moderator Dr. James Pope. Dr. Pope is a professor at Winston Salem State University and an organizer with the Africa World Now Project. The conversation took place at the legendary Sankofa Video Book and Cafe in Washington, DC. The event was sponsored by the following organizations Africa World Now Project | Africans Rising for Justice, Peace, & Dignity | Institute for Policy Studies (IPS) | Sankofa Books
 
If you are listing to the podcast on a platform other than the blogsite, you can access some of the images from the evening’s event on our blogsite: hiphopafrican.com.

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HHAP Episode 24: Free Speech, Censorship, and Protest in China and South Africa

This podcast is the panel discussion titled “Free Speech, Censorship and Protest”, that was held at the 13th annual Trinity International Hip Hop Festival at Trinity College, in Hartford, Connecticut. The discussion addressed issues of censorship and free speech in hip hop, in both China and South Africa. The artists discussed their own careers in hip hop, and hip hop culture in their countries.

The panel featured 

MC Puos, a Chinese artist based in Shanghai. He is a co-founder of Bang, China’s 1st hip hop magazine, and a founding member of the hip hop collective DDM. He also launched a startup education technology company to promote hip hop culture in China, and recently released a documentary on hip hop in China.
Dana Burton (@DetroitShowtyme), an American artist based in Shanghai. After leaving Detroit for China, he became involved in the hip hop scene in China and created Iron Mike, a national rap battle that takes place in China.
Emile YX (@EmileYX), a South African artist based in Cape Town. He is a member of the pioneering hip hop group Black Noise, and is the founder of the hip hop based community organization Heal the Hood.
The panel was moderated by Dr. Msia Kibona Clark (@kibona), from Howard University

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Ms. Nthabi’s “Broken Silence”

South Africa’s Ms. Nthabi 🇿🇦 has just released the mixtape “Broken Silence” on SoundCloud. Ms. Nthabi is an established emcee, and it’s good to hear her back. She has established a reputation as both a lyricist and spoken word artist. It’s not easy finding her previous stuff online, but you can find some of her powerful spoken word performances via Google searches. With a career that has expanded more than a decade, Ms. Nthabi is one of the artists newer generations of emcees often cite as a source of inspiration. Her new mixtape, “Broken Silence” is one of the few projects she’s released in a long time. It’s a 6-track, introspective project that blends her lyricism & spoken word skills. The songs address her experiences in the industry and her personal journey, offering some insight into what may have accounted for her hiatus from rap. Women are an important part of a recent surge of dope lyricism and strong hip hop content coming out of South Africa, content that departs from the country’s commercial hip hop scene. Content that is getting increasing international attention. This environment is positive for hip hop culture in SouthAfrica & may have influenced Ms. Nthabi’s new release. The mixtape can be found on SoundCloud.

Hip-Hop in Africa Book Talk

This Sunday, the 20th of May, the Smithsonian National Museum of African Art will host a book talk for the new book Hip-Hop in Africa: Prophets of the City & Dustyfoot Philosophers

facebook.com/events/594670134237230/

African Hip Hop Through Visual Art

This semester students in the Hip Hop and Social Change in Africa course did either podcasts and art pieces. This is some of the artwork submitted from this semester’s students.