HHAP Episode 44: From Gabon to the US: Ya Minko on his Experiences in American Hip Hop Culture

Gabonese artist Ya Minko came by campus for a conversation about his experiences in hip hop communities in Gabon and the United States. We had a long discussion on hip hop culture and the business of hip hop. Every artist has to decide how to market themselves, how to speak to their audience, and how to navigate the politics of the music industry.

Ya Minko spoke to us days before his presentation at the Apple Carnegie store in downtown Washington, DC. Where he performed his song “Tired” during a workshop on hip hop lyricism.

Ya Minko can be found on social media

Twitter: https://twitter.com/MinkoEmmanuel

Instagram: https://www.instagram.com/minkoemmanuel/

YouTube: https://www.youtube.com/channel/UCnHYdkLknAUR1z2Ma_7QECQ

SoundCloud: https://soundcloud.com/minko-emmanuel

HHAP Episode 43: Hip Hop and Activism in Post-Apartheid South Africa, Part 2

This is part 2 of a 2 part conversation with hip hop scholar and University of Cape Town Professor Adam Haupt and hip hop artist Bradley Lodewyk (aka b-boy King Voue) from the group Brasse Vannie Kaap, or BVK. We met up at the University of Cape Town while they were working on their book project, Neva Again: Hip Hop Art, Activism, and Education in Post-Apartheid South Africa, and EP In the Key of B. The book and EP can be accessed at https://www.hsrcpress.ac.za/books/neva-again. The book was edited by Adam Haupt, Quentin Williams, H Samy Alim & Emile Jansen. The #IntheKeyofB EP was produced by Adam and Bradley and features Cape Flats MCs and vocalists, such as Nadine Matthews-Nunes, Naftali Solomons, Eavesdrop, Shameema Williams (ex Godessa), Natasha C. Tafari, Emile YX? (Black Noise, Heal the Hood), Amy Brown, Imie Vannie Delf, Dirtypro Agape Tadana, Stefan Benting, Razeen Haupt, Nathan Lodewyk, Zama Jimba and Jerome Rex.  

In this episode, Bradley talks about his work with BVK and the involvement of the group in politics. BVK members were from the Cape Flats area in Cape Town,  and rapped in Kaaps, a Cape Flats dialect of Afrikaans. They released their first album in the late-1990s. The conversation in this episode looks at hip hop under apartheid, and the influence of apartheid of the development of hip hop culture in South Africa. We also discuss South Africa’s history of protest and activism. Adam and Bradley discuss the failures of the post-apartheid government to live up to the promises of the movement, and their adoption of a neoliberal economic system, which “reinforced the racialized class divide”. Within this, Adam and Bradley say hip hop became, and still is, a vehicle to expose youth to progressive ideas The topics In the Key of B EP covers include  gang violence, toxic masculinity, the failures of the state, and gentrification Adam and Bradley also discuss bringing the various contributors together for this project, and their use of social media, especially WhatsApp, to communicate. In this project WhatsApp was a space for them to engage with social and political issues happening in South Africa, which would in turn, influence their work on the project. According to Adam, “It was also a way of demystifying the academic writing about the issues”.

The opening song is “Persevere” by Monishia Schoeman, Emile Jansen, Adam Haupt with additional vocals by Razeen Haupt, and the closing song is “Trickle Down” by Emile Jansen, Stefan Benting, Agape Dirtypro Tadana, Shameema Williams, and Adam Haupt. Both are on the album In The Key Of B

HHAP Episode 42: Hip Hop and Activism in Post-Apartheid South Africa, Part 1

This is part 1 of a 2 part conversation with hip hop scholar and University of Cape Town Professor Adam Haupt and hip hop artist Bradley Lodewyk (aka b-boy King Voue) from the group Brasse Vannie Kaap, or BVK. We met up at the University of Cape Town while they were working on their book project, Neva Again: Hip Hop Art, Activism, and Education in Post-Apartheid South Africa, and EP In the Key of B. The book and EP can be accessed at https://www.hsrcpress.ac.za/books/neva-again. The book was edited by Adam Haupt, Quentin Williams, H Samy Alim & Emile Jansen. The #IntheKeyofB EP was produced by Adam and Bradley and features Cape Flats MCs and vocalists, such as Nadine Matthews-Nunes, Naftali Solomons, Eavesdrop, Shameema Williams (ex Godessa), Natasha C. Tafari, Emile YX? (Black Noise, Heal the Hood), Amy Brown, Imie Vannie Delf, Dirtypro Agape Tadana, Stefan Benting, Razeen Haupt, Nathan Lodewyk, Zama Jimba and Jerome Rex.  

In this episode, Bradley talks about his work with BVK and the involvement of the group in politics. BVK members were from the Cape Flats area in Cape Town,  and rapped in Kaaps, a Cape Flats dialect of Afrikaans. They released their first album in the late-1990s. The conversation in this episode looks at hip hop under apartheid, and the influence of apartheid of the development of hip hop culture in South Africa. We also discuss South Africa’s history of protest and activism. Adam and Bradley discuss the failures of the post-apartheid government to live up to the promises of the movement, and their adoption of a neoliberal economic system, which “reinforced the racialized class divide”. Within this, Adam and Bradley say hip hop became, and still is, a vehicle to expose youth to progressive ideas The topics In the Key of B EP covers include  gang violence, toxic masculinity, the failures of the state, and gentrification Adam and Bradley also discuss bringing the various contributors together for this project, and their use of social media, especially WhatsApp, to communicate. In this project WhatsApp was a space for them to engage with social and political issues happening in South Africa, which would in turn, influence their work on the project. According to Adam, “It was also a way of demystifying the academic writing about the issues”.

CALL FOR SUBMISSIONS: Trinity International Hip-Hop Festival

The Trinity International Hip-Hop Festival and Conference is seeking submissions for performers and presenters for their 15th annual event to be held at Trinity College in Hartford, Connecticut, on March 26-29, 2020. This year’s theme is “15 Years of Hip Hop: Past, Present and Future”. This year, the festival is honoring the roots of hip hop as a vehicle of empowerment and resistance for marginalized voices while celebrating how hip hop has also dynamically changed as a movement through time. Looking back in order to step forward, this 15th year’s focus is to honor the foundations of hip hop as well as to celebrate the artists that keep hip hop alive. We invite all artists from around the world to celebrate the roots, seeds, and branches of hip hop as we honor how it has existed, developed, mobilized, and sparked change throughout the decades.

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