This is a program for US based students: Hip Hop, African Diaspora and Decolonial Futures program (https://studyabroad.sit.edu/programs/semester/spring-2020/sgd/). The Hip Hop program is the only study
The Trinity International Hip-Hop Festival and Conference is seeking submissions for performers and presenters for their 15th annual event to be held at Trinity College in Hartford, Connecticut, on March 26-29, 2020. This year’s theme is “15 Years of Hip Hop: Past, Present and Future”. This year, the festival is honoring the roots of hip hop as a vehicle of empowerment and resistance for marginalized voices while celebrating how hip hop has also dynamically changed as a movement through time. Looking back in order to step forward, this 15th year’s focus is to honor the foundations of hip hop as well as to celebrate the artists that keep hip hop alive. We invite all artists from around the world to celebrate the roots, seeds, and branches of hip hop as we honor how it has existed, developed, mobilized, and sparked change throughout the decades.
The DJ, producer, or beat maker is an important element in hip hop. The beat is the first thing we hear when a song starts, and it is the first clue that our favorite song is about to come on. Hip hop producers usually work with several artists, and some of the more well known producers have their signature styles. In Nigeria, one of those producers is Teck-Zilla, as well as other producers in the Str8buttah camp. Teck-Zilla is a hip hop producer and co-founder of Str8buttah, a hip hop collective that consists of several producers and MCs. In this episode Teck-Zilla talks with us about his own career & influences, the beginnings of Str8buttah, and his approach to beat production.
Teck-Zilla has a distinct style. Listen to his beats on his BandCamp page and you will hear his diverse musical influences, from soul and R&B, to Afrobeat, to hip hop. After DJing a breakdance battle in Nigeria, Teck-Zilla produced an entire mixtape of break beats, B-Boy Zilla (A B-Boy Breaks EP) in 2017. In the EP Teck-Zilla turns Afropop tracks into break beats! His BandCamp page also includes remixes and tributes dedicated to artists like Michael Jackson & the Jackson 5, and Nigerian music legends Fela Kuti and Sade. In addition to beats and remix EPs, Teck-Zilla’s work includes production projects with several established and upcoming hip hop artists.
Teck-Zilla moves between Nigeria, Canada, & the UK regularly. We were able to catch him while he’s in Lagos working on some new projects. We start the episode with his beat “Dear Summer”, then “Skelewu B-Boys” from the B-Boy Zilla EP. We end the episode with his beat “Summer Zilla” from his EP of the same name. Teck-Zilla also teamed up with Modenine for the recently release album Esoteric Mellow. All of these are available on his BandCamp page: https://str8buttah.bandcamp.com
Teck-Zilla is also on social media
Tumi Molekane is a South African hip hop artist who mainly performs in Soweto, South Africa. He is originally from Tanzania, a country where his
This is an interview with Tanzanian hip hop producer Duke, founder of M Lab records, Tamaduni Muzik, and the Hip Hop Kilinge (cypher). The interview is mostly in SWAHILI, but we switch back & forth a lot. The Hip Hop African podcast celebrates the various elements of hip hop, but this is our first interview with a hip hop producer.
Duke talks about how he became involved in hip hop in Tanzania, his involvement with the founding of Tamaduni Muzik and the Hip Hop Kilinge (cyphers) they used to host. These cyphers used to bring hundreds of youth from around Dar es Salaam to listen to the DJs, hear MC rhyme, participate in cyphers, buy hip hop fashion made by local artists. Duke also talks about issue of copyright and the art of sampling and the role of the producer in hip hop. We also discuss sounds, the role of the boom bap sound, as well as chopping up other sounds to create a unique sound that represents Tanzanian hip hop. He also talks about the top five artists outside of Tanzania that he would love to work with, as well the directions he sees hip hop in Tanzania going today.
Haya ni mahojiano na Duke, prodyuza wa muziki wa hip hop Tanzania, mwanzilishi wa M Lab Records, Tamaduni Muzik, na Hip Hop Kilinge (cypher). Mahojiano yako zaidi katika SWAHILI, lakini tumechanganya na English kidogo. The Hip Hop African Podast inawakilisha nguzo mbalimbali za hip hop, lakini haya ni mahojiano yetu ya kwanza na prodyuza wa hip hop.
Duke anazungumzia jinsi alivyohusika katika hip hop nchini Tanzania, kushiriki kwake na kuanzishwa kwa Tamaduni Muzik na Hip Hop Kilinge. Kwenye Kilinge, vijana vyengi kutoka Dar es Salaam walikuja kusikiliza muziki uliochezwa na DJs, kusikia sauti ya MC, kushiriki katika cyphers, kununua bidhaa za mitindo ya hip hop. Duke pia anazungumzia suala la hakimiliki na sanaa ya sampling na jukumu la prodyuza katika hip hop. Tulizungumzia pia sauti ya boom bap, na pia kuchop sauti nyingine ili kutengeneza sauti ya kipekee ambayo inawakilisha hip hop ya Tanzania. Pia anazungumzia kuhusu MCs watano wa nje ya Tanzania ambao angependa kufanya kazi nao. Pia tulizungumzia muelekeo wa Hiphop ya Tanzania katika nyakati hizi.
March 29-31, 2019 | Trinity College, Hartford, Connecticut For more information: Facebook.com/trinityhiphop The form can be downloaded from Dropbox Presented in partnership with Trinity College,