HHAP Episode 24: Free Speech, Censorship, and Protest in China and South Africa

This podcast is the panel discussion titled “Free Speech, Censorship and Protest”, that was held at the 13th annual Trinity International Hip Hop Festival at Trinity College, in Hartford, Connecticut. The discussion addressed issues of censorship and free speech in hip hop, in both China and South Africa. The artists discussed their own careers in hip hop, and hip hop culture in their countries.

The panel featured 

MC Puos, a Chinese artist based in Shanghai. He is a co-founder of Bang, China’s 1st hip hop magazine, and a founding member of the hip hop collective DDM. He also launched a startup education technology company to promote hip hop culture in China, and recently released a documentary on hip hop in China.
Dana Burton (@DetroitShowtyme), an American artist based in Shanghai. After leaving Detroit for China, he became involved in the hip hop scene in China and created Iron Mike, a national rap battle that takes place in China.
Emile YX (@EmileYX), a South African artist based in Cape Town. He is a member of the pioneering hip hop group Black Noise, and is the founder of the hip hop based community organization Heal the Hood.
The panel was moderated by Dr. Msia Kibona Clark (@kibona), from Howard University

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HHAP Episode 23: Uganda’s Ruyonga on African/African American Relations, Black Panther, Politics, and Christianity

This interview with Ugandan artist Ruyonga, formerly known as Krukid, is an in-depth discussion on the artist’s perspective on the Black experience, relations between African Americans and Africans in America, his issues with the Black Panther film, being a Christian MC, and his perspective on laws and politics in Uganda.

Ruyonga studied in the U.S. in the early 2000s. He began rapping in Uganda before coming to the States, and he established an underground career in the U.S. and became known for his distinct sound and strong lyrical ability. After almost a decade in the US, Ruyonga returned to Uganda. He changed his name to Ruyonga and built his career as a Christian rapper.

After a long stay Ruyonga has an interesting perspective on being an African immigrant in America, and the tensions between African and African American communities. He talks about those tensions from an African immigrant perspective, and comments on the diverse racial and ethnic dynamics he saw in different parts of the United States. The conversation turns towards pop culture and race and Ruyonga has strong feelings about the Black Panther and the representations of Africans in the film, and Hollywood’s presentation of the Black experience.

Ruyonga also opens up about his views on race, Black pride, and feminism, as well as his views on the ways different groups of people have been pitted against each other. Part of the conversation includes the artist’s views on some of Uganda’s more controversial laws regarding women and sexuality, especially the infamous Anti-Homosexuality Bill. Still a strong lyricist, Ruyonga now uses Christianity as the vehicle with which to express his lyricism. His latest release is Voice Of My Father, and follows an impressive body of work that spans over 10 years. Ruyonga is on

BandCamp at https://ruyonga.bandcamp.com

iTunes: https://itunes.apple.com/us/artist/ruyonga/482094271

Twitter: @ruyongamusic

Episode Breakdown
7:30 “African American, American African”
9:30 “Pearl City Anthem”
11:45 “Hand of God”
12:40 Background and move to the US
14:00 The Black Experience
15:15 African & African American relations
23:42 The Black Panther movie & Hollywood
29:33 Black pride, feminism
32:00 The return to Uganda
35:45 Language
37:18 Christianity & politics

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Episode 23 Promo

13th Trinity International Hip Hop Festival: Panel Discussion: “Free Speech, Censorship and Protest”

Hip hop, music genre developed in the 1970s by inner-city African Americans from the Bronx, New York city, consists of conscious lyrics which often bluntly address social, political, or economic issues. The nature of hip hop is explicit, authentic, and genuine, and now after decades of diffusion and cultural spreading, the art form perseveres to survive even in areas where censorship and limitation of expression run deep. On April 6th 2018, during the Panel Discussion: “Free Speech, Censorship and Protest” at the 13th Trinity International Hip Hop Festival, Howard University’s Dr. Msia Kibona Clark moderated a group of hip hop artists from all over the world who discussed the condition of media censorship of hip hop in the realm of social change and political discourse.

Dana Burton, a hip hop pioneer and influencer in China asserts that the supposed ban on hip hop in China was simply “fake news.” Burton went on to explain the reaches of Chinese censorship, exemplifying the Chinese ban on the ‘Free Tibet movement.’ In summary, anything that violates national integrity remains off limits in China. For example, videos which include the Tibet flag are banned and individuals are forbidden from using the word ‘Tibet’ in public or media settings.

Another panelist, MC Puos is a hip hop journalist who cofounded china’s first hip hop magazine, Bang. He discussed his upbringing in Detroit and referenced his understanding of words, communication, and censorship, and the unspoken rule of limited self-expression as a youth. A person could lose their life by saying the wrong thing to the wrong person: a realization that showcased the strength of words.

Panelist Emile YX?, a journalist, author, playwright, b-boy, and member of Black Noise, (one of the first hip hop groups in South Africa) discussed the current censorship is South Africa. As a solution to the suppression of black voices in South African Media, YX? proposed that black people create their own markets and industries. His project, Heal the Hood focusses on dismantling the Eurocentric monopolization of the capitalist society by supporting our own businesses. Overall the event was an enlightening intellectual experience.

Documentary ‘Ni Wakati’ Brings American, East African Artists Together

Los Angeles — The new documentary by Kenyan filmmakers Michael Wanguhu and Russell Kenya premiered at the Pan African Film Festival in Los Angeles this year. It proved to be a good year for Kenyan film, with eight films set in the country.

Ni Wakati is a documentary that deals with issues including the state of hip hop, connections between Africans and African Americans, and the struggles between commercialized and conscious hip hop.

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Politics and Hip Hop Meet in Upcoming Elections

Dar es Salaam — Hip hop has often been used by artists as a form of social commentary against poverty, corruption and inequality. Now, some of these artists are aiming to effect change from the inside and are seeking political office themselves.

Joseph Mbilinyi, known by his fans as Sugu, helped pioneer Swahili rap in Tanzania. He has been an emcee for 20 years and has 10 albums to his name. The hip hop artist is now a candidate in next month’s parliamentary elections.

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