HHAP Episode 50: The Mixtape Episode P. 2

This episode is our second mixtape episode. The episode features the most recent works of 23 of Africa’s fiercest lyricists. All of songs featured on this episode were released in 2018 and 2019, and features women from across Africa, and African women who reside in the Diaspora. Some of the artists are fairly well known to followers of African hip hop scenes, while others are more up & coming. Some of the artists, like Burni Aman, EJ von Lyrik, and Jean Grae have been active for two decades. Others are new to the game, and quickly making a name for themselves. They also are diverse in their styles and the languages they rap in. The artists also differ in terms of content, some of the songs offer social commentary, some are displays of braggadicio, and some are simply about having a great time. The common thread is that they all represent some of the best lyricists out today.

It was important that all of the artists and songs in this episode be submitted and voted on by serious hip hop heads, people who are active in hip hop communities. So, thank you to the hip hop heads and experts who contributed to making this mixtape possible:

Mikko from Planet Earth Planet Rap
Ikenna aka Bionic from Rap Radio Africa
Seth Markle, Associate Professor and Faculty Advisor for the Trinity International Hip Hop Festival at Trinity College in the United States
Nimoh from Sauti Za Mabinti
Buddha Blaze, podcaster & talent manager
Xuman, Senegalese hip hop legend, pioneer, and avtivist
Elom 20ce, Togolese hip hop artists and activist and founder of Arctivism

Track List

Sampa The Great “Final Form” from The Return (2019) (Australia/Zambia)
EJ von Lyrik (with Roufaida) “Ego” (2019) (South Africa & The Netherlands /Morocco)
Burni Aman & Jean Grae “Masters of the Humanverse” (2019) (Switzerland/South Africa & U.S./South Africa)
Little Simz “101 FM” from Grey Area (2018) (UK/Nigeria)
Isatta Sheriff “Beat Therapy Freestyle” (2019) (UK/Sierra Leone)
Blaise “Hennessy Cypher” (2019) (Nigeria)
L-Ness “Freestyle ‘Peers w/Bars’” (Kenya)
Rouge “Rouge Freestyle on Sway” (2019) (South Africa/DRC)
Xtatic “Reignition” from Tatu EP (2019) (Kenya)
Abena Rockstar “Politically Incorrect” from Harvest Season (2019) (Ghana)
Eva Alordiah “Solo Life” (2019) (Nigeria)
Phlow “Hiphop” (2019) (Nigeria)
Lauretta Yemoja “Inferno” (2019) (Nigeria)
Moonaya “Il est temps” (2018) (Senegal)
Mina la Voilée “Girl Power” (2019) (Senegal)
Sista LB “Ji gën – Ladieme” (2019) (Senegal)
OMG “Lu Ci Sa Yoon” (2019) (Senegal)
Flash Marley (with Vicky R) “La Madre” (2019) (Togo)
Assessa “Izangoma” from Ugogo Ep (2018) (South Africa)
Kanyi Mavi “Umsindo” (2019) (South Africa)
Gigi Lamayne “Winnie” from Job Woods (2019) (South Africa)
Yugen Blakrok “Carbon Form” (2018) (South Africa)

HHAP Episode 45: Phlow, Navigating Hip Hop & Representation in Nigeria

In this episode of The Hip Hop African Podcast, we speak with Nigerian hip hop artist, Phlow. We talk about the impact of Afropop on hip hop culture in Nigeria, and the choices artists often make between hip hop and Afropop. Speaking of Afropop, we also discuss the possible opportunities for Nigerian hip hop in the wake of one of Nigeria’s fastest growing exports: pop music.

Phlow also talks about the struggles with longevity for women in the Nigerian hip hop scene, as well as the term “femcee” and the evolution of attitudes towards the term among women artists. In the conversation Phlow discusses the media’s focus on her ascetics, especially the reference to her as a “babe that can rap” by some media outlets. She discusses the pressure within the music industry that would like her to highlight her looks as a way to market her music. Phlow also points out that it is not only within hip hop that she experiences this type of objectification. She discusses being referred to as a “babe”, or a “beauty” in both hip hop circles and in her 9 to 5 job.

Phlow also tells us about her writing process and the inspirations for her material. Phlow discusses being a member of Str8buttah and the plans she has for her music. She is specifically interested in the question of representation, and allowing her music to speak to who she is. She speaks on incorporating different music styles, as well as the possibility of performing in other languages.

Songs

  1. “Hip Hop” (feat. MC Bravado) – Single
  2. “Fall” – Gloria – EP
  3. “5 Pages” – Gloria – EP

Phlow Online

HHAP Episode 38: Keko on Hip-Hop V. The Politics of Sexuality in Uganda

Keko is a Ugandan MC and filmmaker who became involved in Uganda’s hip hop scene over than 10 years ago. Her career eventually took her to international audiences, in Africa and in Europe, and included a 2012 deal with Sony. In our conversation, Keko discusses some of the challenges she experienced while living in Uganda. Those challenges revolved around her gender, her sexuality, her international recognition, and her 2012 deal with Sony. We discuss the impact of patriarchy and homophobia on her ability to live and to work. Keko is now living in Toronto and is pursuing a career in filmmaking. Keko insists that she is not trying to be an activist, and is definitely not anyone’s “poster child” for gay rights in Uganda. However, Keko’s music, films, and her coming out are her unapologetically living her life. As a Ugandan woman, she is also using her own lens & perspective to contribute her voice as a creative.

Keko is on Twitter at @KEKOTOWN
Her film works can be found on VIMEO at https://vimeo.com/user85283017

1 2 3 30