This is episode 11 of the podcast, and the third in a series of episodes recorded live at the Trinity International Hip Hop Festival in Hartford, Connecticut. The festival took place the 6th to the 9th of April, 2017. This episode is a conversation with Babaluku and Gilbert from Bavubuka Foundation in Kampala, Uganda. Continue reading “HHAP Episode 11: Bavubuka Foundation and Indigenous Hip Hop in Africa”
This is episode 10 of the podcast, and the second in a series of episodes recorded live at the Trinity International Hip Hop Festival in Hartford, Connecticut. The festival took place the 6th to the 9th of April, 2017. This episode was a panel titled “Independent and Political Hip Hop in Cuba” with Pedro Vidal of the Cuban Soul Foundation in Miami, Florida and hip hop artists David D Omni and Escuadron Patriota, who live in Cuba. The panel was an interesting discussion on hip hop and the state in Cuba.
*This is a student podcast that was done as a final project on the topic of feminism in hip hop.
A Podcast from Reese Hood and Joseph Wilson.
A look at hip hop in South Africa and in the United States.
K.O (Feat. KiD X) – “Caracara” [https://www.youtube.com/watch?v=ZrDGwR7lv7M&w=640&h=360]
Youngsta CPT X Stilo Magolide | “Sleep is for the Rich” #SIFTR [https://www.youtube.com/watch?v=ioLEYpyc0dQ&w=640&h=360]
Artist Profile: Graffiti Writer Behulum (Ethiopia) at the 12th Annual Trinity International Hip Hop Festival
Producer: Kalalea (www.kalalea.com)
*Special podcast episode recorded at the Trinity International Hip Hop Festival, by guest host Seth Markle and guest producer Kalalea
This episode is a conversation with Ghanaian hip hop, hiplife, and reggae artist Edem. Edem is one of the first hip hop artists to rap in Ewe. Many other Ghanaian hip hop artists perform in Twi or Pidgin English. In this conversation, we discuss hip hop and hiplife in Ghana. When it comes to hiop hop, Ghana follows its own rules. The relationship between hip hop and Hiplife in Ghana is an ongoing debate. This conversation with Edem covers that, as he explains how he uses different sounds and different languages in his music. Edem, like many artists in Ghana, has moved between genres, sometimes mixing genres in the same song. As one of the few artists to rap in Ewe, Edem also discusses the importance of language and culture in his music. As an artist, his music reflects his African, Ghanaian, and Ewe identities, something that Edem feels has been important in establishing himself as an artist.
Dr. Seth Markle is an Associate Professor of History and International Studies at Trinity College in Hartford, Connecticut. Seth received his PhD in History from New York University. At Trinity College he teaches the courses Global Hip Hop Cultures and Introduction to Hip Hop. Much of his academic work has centered around Diaspora communities in Tanzania. His new book A Motorcycle on Hell Run: Tanzania, Black Power and the Uncertain Future of Pan-Africanism, 1964-1974 is scheduled to be released this year with Michigan State University Press.
Gigi Lamayne is part of a recent growth of female MCs in South Africa. Based in Johannesburg, her strong vocal presence and lyrical style are unmistakably hip hop. She also presents a strong, confident feminist energy in hip hop’s hyper-masculine culture. A member of South Africa’s “born free” generation, Gigi Lamayne started MCing as a teenager. There has been a noticeable growth in her lyrics over the years, and Gigi Lamayne is now one of the most well known female MCs in South Africa.
Confrontations of sexism, patriarchy, domestic violence, and post-apartheid politics are themes throughout her music. In this conversation Gigi Lamayne talks about her music and influences, and her decision to address controversial, sensitive topics.