(NEW YORK – October 2020) – M.O.A’s heartfelt single, “Class in Session” provides hope and motivation in this time of uncertainty. This head nodder, which
Dope Saint Jude is a South African hip hop artist who was born and raised Cape Town. A former Political Science student at the University of Cape Town, she started her hip hop career in 2011 as a drag king. Her drag king persona was Saint Dude, and resembled rapper Lil Wayne. After releasing several singles, Dope Saint Jude’s first EP, Reimagine, was released in 2016, Her second project, Resilient, was released in 2018. It included the song “Grrrl Like”, which opens this episode and has been one of her biggest hits. The song was also featured in the teaser for the Netflix original series Blood & Water https://youtu.be/OV9Ma4F_xyA. Dope Saint Jude has also performed at Afropunk, been featured in Vogue & Marie Claire, and been part of major advertising campaigns.
In this conversation we discuss the social relevance of her music. Well versed in the politics of intersectionality, Dope Saint Jude is very intentional in what she does. In her music she weaves intersecting identities into lyrics that challenge listeners to reconsider their ideas about who they think Black, Coloured, queer South African hip hop women should be.
You can find Dope Saint Jude’s music on streaming platforms. She is also online at dopesaintjude.com, twitter.com/DopeSaintJude, instagram.com/dopesaintjude, and youtube.com/channel/UCdGiyFXiSgtTCXu1AGUeK3A.
For more scholarship on Dope Saint Jude’s work:
Chapters 24 “Queering Hip Hop, queering the city: Dope Saint Jude’s transformative politics” by Adam Haupt and 29 “Building an international profile as an artist” by Dope Saint Jude, Blaq Pearl, Black Athena, Jean-Pierre, Lyrical Deezy with Emile YX? in Haupt, Adam, Williams, Quentin, Alim, Samy H., Jansen, Emile. (2019).
Clark, Msia Kibona. (2018). Feminisms in African hip hop. Meridians: Feminism, Race, Transnationalism, 17 (2), 383-400.
The Lounge Tanzania Mixtape Volume 1 is a project that brings together Tanzanian and Diaspora singers, rappers, and poets. The project features artists that are internationally known, as well as artists just starting their careers.
In this conversation with seven of the artists, we talk about the evolution of the project and how the project reflects hip hop and popular culture in Tanzania. We also discussed the message the project sends to the music industry in Tanzania, which has tended to only promote one style of music.
We talked about the collaboration between English and Swahili performing artists, the lack of East Africa representation in recent projects like Black Panther and the Lion King, and how this project shows East Africa’s engagement in Pan African projects as well.
The seven artists interviewed in this episode are
Mike Tareto/IG: @miketareto
Joe Legendary/IG: @joelegendary
Fete Jen/IG: fete_jen
Ronny aka Ty Charls/IG: @ronnycharlz
Mex Cortez/IG: mex.tz
FG Tony/IG: @fg__tony
The episode begins with “Tougher” by Lo SayAloha Ski and Mex Cortez and “Wale Wale” by Zenji Boy. The episode ends with “No Time For Trash” by Mex Cortez.
The video version of this episode can be found on our YouTube Channel
The mixtape can currently be streamed on the following platform:
The artists on the project are
Lo SayAloha Ski
The Lounge Tanzania Mixtape Vol. 1: The Modern Voice of Bongo in 17 Tracks “The Lounge Tanzania Mixtape is an amazing body of work. The
This is the video of our interview with Lord Ekomy Ndong. The video was originally posted on our YouTube channel.
Lord Ekomy Ndong, has been a leading voice in the African hip hop scene since 1990, when he founded the Gabonese group Movaizhaleine. Movaizhaleine’s 1999 debut album was Mission Mbeng. He released his 1st solo album, L’Afrikain, in 2003. It is considered by many to be a hip-hop classic. Over his career, he has done collaborations with several artists, and released numerous studio albums.
Around the time of the 2009 elections in Gabon, Lord Ekomy Ndong released the singles “300”, “809” and “Engongol” (What a Shame). The songs were critical of both corruption in Africa, and of France’s controversial presence in Africa.
In 2011, with his 11th studio album, Ibogaine, he once again took shots at France. In the song “Questoins Noires” (Black Questions), he talks directly to French President Nicholas Sarkozy about France’s military presence in Africa. His 2017 album, La Théorie Des Cordes (A Theory of Cords), he reflects on the global protests that took place in the Gabonese diaspora around the 2016 election in the song “Sur mon Drapeau” (By My Flag).
In this interview, we spoke about his career and hip-hop culture in Gabon. We also spoke about France’s occupation of Africa, and the implications of that occupation. We also talked about his outspokenness, and the price paid by musicians who speak out against corruption and politics.
This past May, he released the album Petit Mutant Dans son Coin which can be found on online streaming platforms.
The video of this interview can be found on The Hip Hop African YouTube channel.