HHAP Episode 43: Hip Hop and Activism in Post-Apartheid South Africa, Part 2

This is part 2 of a 2 part conversation with hip hop scholar and University of Cape Town Professor Adam Haupt and hip hop artist Bradley Lodewyk (aka b-boy King Voue) from the group Brasse Vannie Kaap, or BVK. We met up at the University of Cape Town while they were working on their book project, Neva Again: Hip Hop Art, Activism, and Education in Post-Apartheid South Africa, and EP In the Key of B. The book and EP can be accessed at https://www.hsrcpress.ac.za/books/neva-again. The book was edited by Adam Haupt, Quentin Williams, H Samy Alim & Emile Jansen. The #IntheKeyofB EP was produced by Adam and Bradley and features Cape Flats MCs and vocalists, such as Nadine Matthews-Nunes, Naftali Solomons, Eavesdrop, Shameema Williams (ex Godessa), Natasha C. Tafari, Emile YX? (Black Noise, Heal the Hood), Amy Brown, Imie Vannie Delf, Dirtypro Agape Tadana, Stefan Benting, Razeen Haupt, Nathan Lodewyk, Zama Jimba and Jerome Rex.  

In this episode, Bradley talks about his work with BVK and the involvement of the group in politics. BVK members were from the Cape Flats area in Cape Town,  and rapped in Kaaps, a Cape Flats dialect of Afrikaans. They released their first album in the late-1990s. The conversation in this episode looks at hip hop under apartheid, and the influence of apartheid of the development of hip hop culture in South Africa. We also discuss South Africa’s history of protest and activism. Adam and Bradley discuss the failures of the post-apartheid government to live up to the promises of the movement, and their adoption of a neoliberal economic system, which “reinforced the racialized class divide”. Within this, Adam and Bradley say hip hop became, and still is, a vehicle to expose youth to progressive ideas The topics In the Key of B EP covers include  gang violence, toxic masculinity, the failures of the state, and gentrification Adam and Bradley also discuss bringing the various contributors together for this project, and their use of social media, especially WhatsApp, to communicate. In this project WhatsApp was a space for them to engage with social and political issues happening in South Africa, which would in turn, influence their work on the project. According to Adam, “It was also a way of demystifying the academic writing about the issues”.

The opening song is “Persevere” by Monishia Schoeman, Emile Jansen, Adam Haupt with additional vocals by Razeen Haupt, and the closing song is “Trickle Down” by Emile Jansen, Stefan Benting, Agape Dirtypro Tadana, Shameema Williams, and Adam Haupt. Both are on the album In The Key Of B

HHAP Episode 42: Hip Hop and Activism in Post-Apartheid South Africa, Part 1

This is part 1 of a 2 part conversation with hip hop scholar and University of Cape Town Professor Adam Haupt and hip hop artist Bradley Lodewyk (aka b-boy King Voue) from the group Brasse Vannie Kaap, or BVK. We met up at the University of Cape Town while they were working on their book project, Neva Again: Hip Hop Art, Activism, and Education in Post-Apartheid South Africa, and EP In the Key of B. The book and EP can be accessed at https://www.hsrcpress.ac.za/books/neva-again. The book was edited by Adam Haupt, Quentin Williams, H Samy Alim & Emile Jansen. The #IntheKeyofB EP was produced by Adam and Bradley and features Cape Flats MCs and vocalists, such as Nadine Matthews-Nunes, Naftali Solomons, Eavesdrop, Shameema Williams (ex Godessa), Natasha C. Tafari, Emile YX? (Black Noise, Heal the Hood), Amy Brown, Imie Vannie Delf, Dirtypro Agape Tadana, Stefan Benting, Razeen Haupt, Nathan Lodewyk, Zama Jimba and Jerome Rex.  

In this episode, Bradley talks about his work with BVK and the involvement of the group in politics. BVK members were from the Cape Flats area in Cape Town,  and rapped in Kaaps, a Cape Flats dialect of Afrikaans. They released their first album in the late-1990s. The conversation in this episode looks at hip hop under apartheid, and the influence of apartheid of the development of hip hop culture in South Africa. We also discuss South Africa’s history of protest and activism. Adam and Bradley discuss the failures of the post-apartheid government to live up to the promises of the movement, and their adoption of a neoliberal economic system, which “reinforced the racialized class divide”. Within this, Adam and Bradley say hip hop became, and still is, a vehicle to expose youth to progressive ideas The topics In the Key of B EP covers include  gang violence, toxic masculinity, the failures of the state, and gentrification Adam and Bradley also discuss bringing the various contributors together for this project, and their use of social media, especially WhatsApp, to communicate. In this project WhatsApp was a space for them to engage with social and political issues happening in South Africa, which would in turn, influence their work on the project. According to Adam, “It was also a way of demystifying the academic writing about the issues”.

HHAP Episode 29: Ghanaian Hip Hop Scholar Joseph Ewoodzie on Hip Hop in the South Bronx

Ghana born, Bronx raised hip hop scholar Joseph Ewoodzie has published the book Break Beats in the Bronx: Rediscovering Hip-Hop’s Early Years, a book that uncovers details of hip hop’s early years in the South Bronx. Ewoodzie’s book provides rich details of hip hop’s history in the South Bronx. In this interview he discusses his decision to write the book and touches on some of the major themes the book addresses. For example, Ewoodzie talks about the social economic environment in the South Bronx that gave rise to hip hop, environments that mirrored the environments that gave rise to hip hop in Africa.

In the interview we also cover the book’s

Discussion of the link between gang culture and hip hop
The controversies around Afrika Bambaataa
The rise and decline of the visibility of the DJ in mainstream hip hop
The connection between hip hop culture and Africa’s oral tradition
The connections between music in Africa and the Diaspora
South Bronx Ghanaian immigrants in the development of hip hop
The origins of the masculinization of hip hop
The book can be purchased at: uncpress.org/book/9781469632759/break-beats-in-the-bronx

Joseph Ewoodzie can be followed on Twitter at twitter.com/piko_e

HHAP Special Episode: Hip-Hop in Africa Book Talk

This is a special episode of the Hip Hop African Podcast. This episode is a conversation between Dr. Msia Kibona Clark, the author of Hip-Hop in Africa, and moderator Dr. James Pope. Dr. Pope is a professor at Winston Salem State University and an organizer with the Africa World Now Project. The conversation took place at the legendary Sankofa Video Book and Cafe in Washington, DC. The event was sponsored by the following organizations Africa World Now Project | Africans Rising for Justice, Peace, & Dignity | Institute for Policy Studies (IPS) | Sankofa Books
 
If you are listing to the podcast on a platform other than the blogsite, you can access some of the images from the evening’s event on our blogsite: hiphopafrican.com.

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