This is an exciting new book series being launched by the University of California Press and being led by H. Samy Alim and Jeff Chang.
This episode, South African hip hop scholar and sociolinguist Dr. Quentin Williams discusses his new book Remix Multilingualism: Hip Hop, Ethnography and Performing Marginalized Voice (Bloomsbury Press).
Dr. Williams is a Senior Lecturer in the Linguistics Department at the University of Western Cape. He has published papers and book chapters on the performance of multilingualism, popular cultural practices (specifically Hip Hop), agency and voice in urban multilingual spaces. In addition to the book we’ll be discussing today, he is also currently editing the book Kaapse Styles: Hip Hop Art & Activism in Cape Town, South Africa.
Dr. Williams has been writing on language and hip hop in South Africa for several years, and has extensive credibility within South Africa’s well established hip hop community. Dr. Williams’ research and work has also made valuable contributions to the field of linguistics.
In this interview we discuss the book, Dr. Williams research on South African hip hop, and ultimately his place as a Coloured man from the Cape Flats in one of the oldest and largest hip hop scenes in Africa.
6:24 – Being a hip hop sociolinguist & self reflection in the book.
7:50 – The arena of freestyle rap battles
11:35 – His work with the group Suburban Menace
16:05 – Hip hop research and scholarship, & the responsibility to the subjects of the research
22:43 – His experiences in the Cape Flats township of Bishop Lavis during hip hop’s days of hip hop, during the last years of the anti-apartheid struggle
29:10 – Relationships between Black & Coloured hip hop heads
38:05 – Different hip hop language varieties in South Africa
39:40 – Braggadocio, and its place and purpose in hip hop
45:00 – Masculinity & toughness in hip hop
49:24 – Dr. Williams concept of “Body Rap”, respectability politics, the pornification of hip hop culture, & rape culture within hip hop culture*
58:12 – Women navigating masculine hip hop spaces
1:07:44 – The diverse audiences that this book speaks to
*Dr. Williams defines Body Rap as “a sub-genre of local rap, where the overarching theme in the lyrics is the sexualization and often the denigration of women’s bodies, performed for the pleasure of men”.
Hip-Hop in Africa: Prophets of the City and Dustyfoot Philosophers by Msia Kibona Clark Throughout Africa, artists use hip-hop both to describe their lives and to create shared
The Street Is My Pulpit: Hip Hop and Christianity in Kenya by Mwenda Ntarangwi Published by University of Illinois Press The bass meets the beatified in
Moreno Almeida, Cristina. (2017). Rap Beyond Resistance: Staging Power in Contemporary Morocco. Palgrave Macmillan.
by Msia Kibona Clark and Mickie Mwanzia Koster
Now available in paperback & on Kindle
This book examines social change in Africa through the lens of hip hop music and culture. Artists engage their African communities in a variety of ways that confront established social structures, using coded language and symbols to inform, question, and challenge. Through lyrical expression, dance, and graffiti, hip hop is used to challenge social inequality and to push for social change. The study looks across Africa and explores how hip hop is being used in different places, spaces, and moments to foster change. In this edited work, authors from a wide range of fields, including history, sociology, African and African American studies, and political science explore the transformative impact that hip hop has had on African youth, who have in turn emerged to push for social change on the continent. The powerful moment in which those that want change decide to consciously and collectively take a stand is rooted in an awareness that has much to do with time. Therefore, the book centers on African hip hop around the context of “it’s time” for change, Ni Wakati.