HHAP Episode 50: The Mixtape Episode P. 2

This episode is our second mixtape episode. The episode features the most recent works of 23 of Africa’s fiercest lyricists. All of songs featured on this episode were released in 2018 and 2019, and features women from across Africa, and African women who reside in the Diaspora. Some of the artists are fairly well known to followers of African hip hop scenes, while others are more up & coming. Some of the artists, like Burni Aman, EJ von Lyrik, and Jean Grae have been active for two decades. Others are new to the game, and quickly making a name for themselves. They also are diverse in their styles and the languages they rap in. The artists also differ in terms of content, some of the songs offer social commentary, some are displays of braggadicio, and some are simply about having a great time. The common thread is that they all represent some of the best lyricists out today.

It was important that all of the artists and songs in this episode be submitted and voted on by serious hip hop heads, people who are active in hip hop communities. So, thank you to the hip hop heads and experts who contributed to making this mixtape possible:

Mikko from Planet Earth Planet Rap
Ikenna aka Bionic from Rap Radio Africa
Seth Markle, Associate Professor and Faculty Advisor for the Trinity International Hip Hop Festival at Trinity College in the United States
Nimoh from Sauti Za Mabinti
Buddha Blaze, podcaster & talent manager
Xuman, Senegalese hip hop legend, pioneer, and avtivist
Elom 20ce, Togolese hip hop artists and activist and founder of Arctivism

Track List

Sampa The Great “Final Form” from The Return (2019) (Australia/Zambia)
EJ von Lyrik (with Roufaida) “Ego” (2019) (South Africa & The Netherlands /Morocco)
Burni Aman & Jean Grae “Masters of the Humanverse” (2019) (Switzerland/South Africa & U.S./South Africa)
Little Simz “101 FM” from Grey Area (2018) (UK/Nigeria)
Isatta Sheriff “Beat Therapy Freestyle” (2019) (UK/Sierra Leone)
Blaise “Hennessy Cypher” (2019) (Nigeria)
L-Ness “Freestyle ‘Peers w/Bars’” (Kenya)
Rouge “Rouge Freestyle on Sway” (2019) (South Africa/DRC)
Xtatic “Reignition” from Tatu EP (2019) (Kenya)
Abena Rockstar “Politically Incorrect” from Harvest Season (2019) (Ghana)
Eva Alordiah “Solo Life” (2019) (Nigeria)
Phlow “Hiphop” (2019) (Nigeria)
Lauretta Yemoja “Inferno” (2019) (Nigeria)
Moonaya “Il est temps” (2018) (Senegal)
Mina la Voilée “Girl Power” (2019) (Senegal)
Sista LB “Ji gën – Ladieme” (2019) (Senegal)
OMG “Lu Ci Sa Yoon” (2019) (Senegal)
Flash Marley (with Vicky R) “La Madre” (2019) (Togo)
Assessa “Izangoma” from Ugogo Ep (2018) (South Africa)
Kanyi Mavi “Umsindo” (2019) (South Africa)
Gigi Lamayne “Winnie” from Job Woods (2019) (South Africa)
Yugen Blakrok “Carbon Form” (2018) (South Africa)

Hip Hop and Social Change in Africa: Ni Wakati

by Msia Kibona Clark and Mickie Mwanzia Koster

Now available in paperback & on Kindle

https://www.amazon.com/Hip-Hop-Social-Change-Africa/dp/1498505805

This book examines social change in Africa through the lens of hip hop music and culture. Artists engage their African communities in a variety of ways that confront established social structures, using coded language and symbols to inform, question, and challenge. Through lyrical expression, dance, and graffiti, hip hop is used to challenge social inequality and to push for social change. The study looks across Africa and explores how hip hop is being used in different places, spaces, and moments to foster change. In this edited work, authors from a wide range of fields, including history, sociology, African and African American studies, and political science explore the transformative impact that hip hop has had on African youth, who have in turn emerged to push for social change on the continent. The powerful moment in which those that want change decide to consciously and collectively take a stand is rooted in an awareness that has much to do with time. Therefore, the book centers on African hip hop around the context of “it’s time” for change, Ni Wakati.

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