Tag: Sarkodie
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Bars For Change Mixtape
By Dagem Teferra This mixtape was made with the theme of political and social impact in Africa and the diaspora. It includes tunes from Ethiopia, Ghana, Nigeria, Senegal, and the USA. In each song, the artist expresses either a social, ecological or political problem that occurs in their community. As hip-hop is an important tool
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Sarkodie – Ghana’s multifaceted rapper
Michael Owusu Addo, professionally known as Sarkodie is an upcoming rapper and singer who has made an enormous contribution to the Ghanaian music industry in recent years. He was recently named “Artist of the Decade” by Vodaphone’s Ghana Music Award and won BET’s Best International Hip Hop Artist in 2019. Raised in Tema, 16 miles
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Mixtape: Social Justice Within Africa
Introduction Africa is no stranger to protesting wrongdoings in their society. For decades countries have been protesting corruption, health issues, wealth distribution, racism, and police brutality. Yes, police brutality too. It may come shocking to some because why would countries of majority one race have these issues but they are there and exist unfortunately. Artists
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Sarkodie to the world
Michael Owusu Addo also known as Sarkodie is a Ghanaian hip-hop artist from Tema. His birthday is July 10, 1985, making him 36 years old. His hard work and contributions to the Ghanaian music industry have earned him many awards, one being the first-ever winner of BET’s Best International Flow act at the 2019 BET Hip
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Sarkodie Brown Paper Bag
The Ghanaian hip hop artist, Michael Kwesi Owusu Addo, more popularly known for his stage name Sarkodie was born in Koforidua, Ghana the summer of 1988 before moving to Tema, Ghana where his family settled down during his adolescent years. Sarkodie began his hip music career as an underground rapper after highschool and rose to
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Sarkodie
Michael Owusu Addo, also known as Sarkodie is a thirty-six-year-old rapper from Tema, Ghana. Sarkodie has been in the music industry for over fifteen years and consistently remains on top. He has received over 200 awards and nominations that which include BET and MTV awards in the United States. Many people are most familiar with
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Happy Day: Sarkodie
I chose Ghanian artist, Sarkodie, and his song, Happy Day, featuring Kuami Eugene. The song and video were released last November. Sarkodie is one of the most well known rappers coming out of Ghana. The song’s message focuses on the rapper’s relationship with God. While the song is more spiritual, one image in particular takes
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EDEM – Favour (feat. Efya & Sarkodie)
The song Favour by EDEM featuring Efya and Sakordie is a tremendous musical message that highlights some essential ideals of Black Positivity. The opening scenes’ whole dynamic provides us with a glimpse of what the root topic will be. The first scene starts from the skin of a Black woman then proceeds to give the
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Meaning Through Music: Sarkodie’s Lyrical Legacy
Music is a powerful form of art in which individuals can express their emotions and convey meanings through beautiful, harmonious ways. Conveying such passion through lyricism and melody is no easy task. There is also an immense challenge in eloquently evoking emotions and experiences that one endures through rhythm. When delving into Ghanaian rapper Sarkodie’s
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HHAP Ep. 61: An African Hip Hop Palaver
In this palaver, we have a lively chat with Ghanaian hip hop/hiplife scholar Dr. Nii Kotei Nikoi. We talked about the hiplife and hip hop music industry in Ghana, especially one of the country’s most popular artist’s Sarkodie. Nii discusses the structure of Ghana’s music industry, the way artists construct their images, and the role of class (and language) in Ghana’s popular music scene. We also get into an interesting conversation around collaborations between African and Diaspora artists in Beyonce’s Black is King project and the depictions of Africa in the Black Panther film.
Nii Kotei Nikoi is an assistant professor of Global Media and Digital Studies at The College of Wooster in Ohio. He studies African popular culture, and has a special focus on how popular culture reinforces and challenges existing ideas around race, gender, and sexuality. His work is influenced by his background in graphic design and documentary photography. Currently, his research examines development discourse in Ghanaian popular culture.
Check out his latest article, “Hiplife Music in Ghana: Postcolonial Performances of the Good Life.” in the International Journal of Communication 14 (2020): 19.
He also hosts the podcast Our Culture. Season 1 of the podcast includes on several reflections on a range of topics.
EPISODE CONTENTS 1:50 The performance of material success in popular music in Ghana 8:08 The popular use of Ghanaian languages and clothing in the Ghanaian music scene 15:00 An analysis of the class divides and language choices in the beef between Sarkodie and M.anifest 26:20 The participation of women in hiplife 33:17 African scholars doing (hip hop) research at home 48:03 I try to get Nii to take the bait and engage in the discussion on Nigerians “borrowing” music from Ghana 52:52 Beyonce & the collaboration with African artists on the Black is King project 1:03:03 Black Panther & the homogenization of Africa, and the presence of Africa film industry in general