Burkina Faso’s Sa Majesté Askoy makes “Cash”

Sa-Majeste-Askoy Sa Majesté Askoy’s “Cash” is influenced by American rap culture. In his music, he incorporates items Americans frequently used in US  hip-hop. To point out a few, there are SUVs, fitted caps, his crew, ladies, bling, and, cash. These items have been a staple in US hip-hop videos and have influenced many African rappers and their style. Usually, we see Burkinabé rappers who are more influenced more by their African roots in music videos and lyrics, including Sa Majesté Askoy. Yet this video’s subject focuses on money and stereotypical aspects of American hip-hop. Continue reading “Burkina Faso’s Sa Majesté Askoy makes “Cash””

The Writah Raps

Hip-hop is as much a literary genre as it is a musical one, and as a means of storytelling the medium of hip-hop has lent its ability to convey meaning to both traditional and modern aspects of African society. And with a mic as his pen, P.P.S. the Writah crafts lyrical masterpieces that connect Senegal’s proud traditional history with it’s push toward the future. Continue reading “The Writah Raps”

Excuse my Wolof

My last article discussed Youssoupha’s album NGRTD. While reading the lyrics of his song entourage, I realized Youssoupha discussed many of the same themes MC Solaar touches on in his early albums produced some 20 years ago. While you could write a novel on the thematic similarities of African hip hop produced two decades apart, there was one distinguishing factor of Youssoupha’s newer music that, hopefully, is indicative of improvements in African communities at home and abroad: the in-your-face nature of NGRTD across a top-5 album in the French music charts. Continue reading “Excuse my Wolof”

NGRTD

Known by his stage name “Youssoupha”, Youssoupha Mabiki embodies the defining characteristics of progressive French rappers in his song Entourage. A captivating story of immigration, education, and social consciousness defines Youssoupha’s rise to prominence in a crowded French rap scene.

Youssoupha was born in Zaire (today the Democratic Republic of the Congo) in 1979 as the son of a Congolese musician and Senegalese mother. Similar to many adolescents in the francophone world, the family decided a western education was in order and sent Youssoupha to live with relatives along France’s Mediterranean coast. Youssoupha dedicated himself to his studies through graduate school, when he decided to dedicate his life to music. Continue reading “NGRTD”

MHD en sa Patrie

Mohammed Sylla (MHD) performed in front of thousands of Senegalese in Dakar in December 2017. This concert, staged in front of the 49-meter-tall African Renaissance Monument,  united the international phenomenon MHD with domestically-popular Senegalese hip-hop artists in an evening ripe with music, dance, and humor.  Continue reading “MHD en sa Patrie”