The Writah Raps

Hip-hop is as much a literary genre as it is a musical one, and as a means of storytelling the medium of hip-hop has lent its ability to convey meaning to both traditional and modern aspects of African society. And with a mic as his pen, P.P.S. the Writah crafts lyrical masterpieces that connect Senegal’s proud traditional history with it’s push toward the future. Continue reading “The Writah Raps”

Sister Fa: A Human Rights Activist

Sister Fa, formerly known as Fatou Diatta, was born in Dakar, Senegal. She debuted her first demo tape in 2000 and officially entered the stage or West African rap. Her songs are meant to expose the realities of Female Genital Mutilation (FGM). Continue reading “Sister Fa: A Human Rights Activist”

Excuse my Wolof

My last article discussed Youssoupha’s album NGRTD. While reading the lyrics of his song entourage, I realized Youssoupha discussed many of the same themes MC Solaar touches on in his early albums produced some 20 years ago. While you could write a novel on the thematic similarities of African hip hop produced two decades apart, there was one distinguishing factor of Youssoupha’s newer music that, hopefully, is indicative of improvements in African communities at home and abroad: the in-your-face nature of NGRTD across a top-5 album in the French music charts. Continue reading “Excuse my Wolof”

On the Other Side of the Tracks with Gokh-Bi System’s “Pikine”

New York, Atlanta, Los Angeles, Detroit— name a city in America and there’s sure to be artists that represent the vibrant hip-hop culture that inhabits it. The same holds true across the Atlantic in the West African nation of Senegal, and you’d be hard-pressed to find another city that embodies hip-hop culture as much as the capital city of Dakar. Continue reading “On the Other Side of the Tracks with Gokh-Bi System’s “Pikine””