Who is Astou Gaye, and how did she set the contemporary precedent for aspiring female rappers in the banlieus surrounding Dakar? Better known by her
KEKO – Cry for Help It is difficult to point out female artist in the African Hip Hop industry that are succeeding and staying
Stella Nyambura, better known as STL, is one of the best Kenyan female rappers out right now.
Our conversation with Cape Town based hip hop and spoken word artist Nazlee Saif centers on discussions of race, gender, religion, sexuality, and activism. This conversation centers on the use of hip hop as a cultural space within which to engage several different social issues, and to deconstruct social taboos that continue to exist within hip hop culture.
Nazlee Saif is a spoken word and hip hop artist originally from Durban, who moved to Cape Town and attended the University of Cape Town (UCT) during the height of the #RhodesMustFall movement. Nazlee, who was already a socially conscious artist, was an activist and organizer in the movement on the UCT campus. Nazlee, as a queer identified, Muslim, MC, also brings those intersecting identities into the hip hop, a culture that has historically been very patriarchal, very misogynistic, and hostile to queer voices.
In the conversation Nazlee Saif talks about several topic, including the #RhodesMustFall movement at UCT, intersectionality, being Black & Coloured, queer identities, being a Muslim & queer MC, Steve Biko and Black consciousness, the term “Hoteps”, and feminism.
Nazlee Saif’s presence in hip hop challenges hip hop’s masculine, heteronormative culture. Nazlee Saif expresses strong stances on topics of race, sexuality, and religion. The artist’s discussion of a level of frustration with Black Consciousness, as well as the term “Hoteps”, may put Nazlee Saif at odds with some Pan Africanists.
Nazlee on YouTube: https://www.youtube.com/channel/UCwNoj0WTO0fAoKG0fagDFxQ
Nazlee on Twitter: @NazleeArbee
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Haupt, Adam. 2016. Queering Hip-Hop, Queering the City: Dope Saint Jude’s Transformative Politics. M/C Journal, 19(4).
Smith, Marquita R., 2014. “Or a Real, Real Bad Lesbian”: Nicki Minaj and the Acknowledgement of Queer Desire in Hip-Hop Culture. Popular Music and Society, 37(3), pp.360-370.
I recall watching a Dope Saint Jude video earlier in the course. She was raw and so eclectic, so when I saw her name on
When it comes to being one of the hottest female rap artists in the game, you have to go hard or go home. Queens born