Tag: Diaspora
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Meaning Through Music: Sarkodie’s Lyrical Legacy
Music is a powerful form of art in which individuals can express their emotions and convey meanings through beautiful, harmonious ways. Conveying such passion through lyricism and melody is no easy task. There is also an immense challenge in eloquently evoking emotions and experiences that one endures through rhythm. When delving into Ghanaian rapper Sarkodie’s
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5 songs that symbolize the African America diaspora and cultural exchange through Hip-Hop
For my mixtape project, I have decided to use Famous and Unforgettable by French Montana, Umrika by Wale, Ojuelegba by Wizkid, and Fall by Davido to demonstrate the theme: African diaspora blending American and African influences in the hip hop industry. The cover art is Wale as a member of the African diaspora embracing his
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African-Americans, Africans, and Hip-Hop
In this podcast, two of the students in the Hip Hop in Africa course discuss African and African American communities. The students, one from Kenya, and the other from Nigeria, pose 3 questions: 1. What do you think causes the tension between Africans and African-Americans? 2. What role has hip-hop played in bridging that gap? 3. Why do male artists from both cultures seem to collaborate more than women? Resources Unah, Linus. “Not Everyone Is Happy With Nigeria’s Viral Version Of ‘This Is America’.” NPR 1 June 2018. www.npr.org/sections/goatsandsoda/2018/06/01/615805868/a-nigerian-rappers-take-on-donald-glover-s-this-is-america The World’s Largest Slums: Dharavi, Kibera, Khayelitsha & Neza. (2018, September 07). https://www.habitatforhumanity.org.uk/blog/2017/12/the-worlds-largest-slums-dharavi-kibera-khayelitsha-neza/ Clark, & Kibona, M. (2018, November 01). Feminisms in African Hip Hop. Retrieved from https://read.dukeupress.edu/meridians/article-abstract/17/2/383/136652/Feminisms-in-African-Hip-Hop?redirectedFrom=PDF
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HHAP Episode 35: From Queens to Dar: Fete Jen on Hip Hop & Lyricist Lounge Tanzania
This was a fun conversation with hip hop organizer Fete Jen, a Queens, NY native who has traveled throughout Africa and is connected to multiple hip hop artists and scenes around the world. She started Lyricist Lounge Tanzania (LLT) in 2014, helping to provide a platform for poets, spoken word artists, and MCs in Dar es Salaam. LLT was distinct for several reasons, most notably, it brought together a diverse crowd of Tanzanians, African American & Caribbean expats living in Tanzania, and expats from other African countries living in Tanzania. A lot of this diversity was due to the diverse team that have organized the LL events. LLT is celebrating its fifth anniversary on the 23rdof March, in Dar es Salaam. The organizers have established a fundraiser to help with the costs of putting on the event and bringing in artists to perform. Through her networks with hip hop communities in the Diaspora and throughout Africa, Fete Jen has been involved in or helped to establish several hip hop based projects. In this call we talk about her experiences with the Tanzanian hip hop scene and starting Lyricist Lounge, her views profanity and the use of the N-word in hip hop, the increase in Blacks from the Diaspora moving to Africa, and relations on the continent between Africans and Blacks from the Diaspora. You can find Fete Jen on Facebook (https://www.facebook.com/fetejen/) or Instagram (https://www.instagram.com/fete_jen/) *Intro beat by Duke Tachez: https://www.facebook.com/DUKETACHEZ/