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  • February 19, 2026

    A Review of O’Kenneth & Medikal’s BALENCIAGA II (ft. Osekrom Sikanii, SAMA’,   & Joey B)

    srl05
  • A Review of Kweku Smoke’s 2024 Single “Holy Ghost”
    February 17, 2026

    A Review of Kweku Smoke’s 2024 Single “Holy Ghost”

    sandy.s.blog
  • “Soma Obi” Review: Black Sherif leads with Vulnerability
    February 5, 2026

    “Soma Obi” Review: Black Sherif leads with Vulnerability

    k.jpeg
  • A Review of Ko-Jo Cue & Shaker’s Up & Awake (ft. Kwesi Arthur)
    February 4, 2026

    A Review of Ko-Jo Cue & Shaker’s Up & Awake (ft. Kwesi Arthur)

    srl05
  • February 4, 2026

    Review of Beeztrap KOTM “YESU”

    sandy.s.blog
  • Ep 101: Respect the Technique: A Mixtape Episode
    September 2, 2025

    Ep 101: Respect the Technique: A Mixtape Episode

    Msia Kibona Clark
  • Unapologetic: African Women in Hip-Hop 
    August 15, 2025

    Unapologetic: African Women in Hip-Hop 

    Msia Kibona Clark
  • The Sound of the Diaspora: Identity and Resistance in African Hip Hop
    August 1, 2025

    The Sound of the Diaspora: Identity and Resistance in African Hip Hop

    Msia Kibona Clark
  • Mixtape: Her Agenda: Remixing Womanhood
    July 14, 2025

    Mixtape: Her Agenda: Remixing Womanhood

    studentspaper
  • Mixtape: Hip Hop Women: From Object to Architect of Power
    July 14, 2025

    Mixtape: Hip Hop Women: From Object to Architect of Power

    studentspaper
  • VIC MENSA: confronting internalized racism and societal expectations
    April 10, 2024

    VIC MENSA: confronting internalized racism and societal expectations

    maddycummings
  • Ghana to London
    April 9, 2024

    Ghana to London

    gabyoliveros
  • “WEST AFRICA TIME,” M.anifest and multnational identity.
    April 8, 2024

    “WEST AFRICA TIME,” M.anifest and multnational identity.

    mfischer26gwuedu
  • ENO BARONY
    March 26, 2024

    ENO BARONY

    victoriaodegbami
  • “4EVA MOOD,” Feli Nuna’s Rebuke of Ghana’s Music Industry
    March 26, 2024

    “4EVA MOOD,” Feli Nuna’s Rebuke of Ghana’s Music Industry

    mfischer26gwuedu
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The Hip Hop African Blog has been documenting African hip hop culture since 2012

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Africa is the future of hip-hop. It’s 54 African nations. Not only are they spitting like crazy, but they’re also braiding languages. Hip-hop is going to like 3.0 when you talk about Africa. Hip-hop is there. So that’s the sustaining power if you want to pay attention to it. – Chuck D

The Hip Hop African (HHA) is a blog and podcast that documents African hip hop artists and culture in Africa and around the world. 

The content on HHA is primarily created by our talented team of writers, who are students enrolled in the Hip Hop in Africa course at Howard University and George Washington University. The website was developed collaboratively by both faculty members and students from the Department of African Studies at Howard University located in Washington, DC.

Launched in 2016, our podcast is also the longest running podcast on African hip hop culture

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