HHAP Episode 34: Reggie Rockstone on the Pan African connections with Ghanaian Hiplife & Hip Hop Culture

Reggie Rockstone is one of the pioneers of hiplife in Ghana. In this conversation, he discusses how as a Pan Africanist, his perspective influenced his participation in hip hop culture in Ghana. He talks about the importance of popularizing the use of African languages through music, and how he helped to popularize the use of Twi in Ghanaian hiplife and hip hop. He discusses the importance of African languages in reaffirming pride, breaking colonial mentalities, and bridging class divides. Reggie Rockstone also talks about his own Pan Africanist upbringing, and the impact of his Diaspora experiences, as well as those of his father and African American mother. 

The episode begins with Reggie Rockstone’s song “Proactive” and ends with his song “Woso”, both on his 2010 album Reggiestration, which is available on iTunes https://itunes.apple.com/us/album/reggiestration/412457159.

Reggie Rockstone can be found on Instagram @reggierockstone711 and Twitter @ReggieRockstone

HHAP Episode 33: The Evolution of M.anifest, from “Immigrant Chronicles” to “God MC”

In this interview M.anifest  talks about his return to Ghana and his experiences in both the US and Ghana. As an artist whose music reflects Ghanaian, African, and Diaspora experiences and cultures, M.anifest brings an important level of intellectual complexity to hip hop culture. When I point these things out in the interview, M.anifest says that he does not want to “be an alternative to the mainstream, but to be an alternative in the mainstream”.
In the interview M.anifest talks about how his return (& his experiences in both the US and Ghana) has been reflected in his music. He discusses the music industries & creative scenes in the US and in Ghana, African MCs in the US hip hop scene, his impact on the hip hop & music scene in Ghana, and his collaborations with other artists, including the late South African hip hop artist, Hip Hop Pantsula (HHP).

In this episode we begin with a look back, musically, at Manifest’s career. We begin with the song “Africa Represent” from his 2007 album Manifestations, then “Motion Picture” from the 2011 album Immigrant Chronicles: Coming to America, and his 2016 single “God MC”. We will end the show with the song “Hand Dey Go, Hand Dey Come” from his 2016 album Nowhere Cool. 

Website: http://manifestmc.com
Facebook: https://www.facebook.com/manifestations/
Twitter: https://twitter.com/manifestive
Youtube: https://www.youtube.com/user/manifestmc
Instagram: https://www.instagram.com/manifestive/
iTunes: https://itunes.apple.com/us/artist/m-anifest/1377111213

HHAP Episode 27: Laura Lora on the Politics of Gender & a Ghanaian American Identity

In this episode we speak with Ghanian-born, U.S. based artist Laura Lora. In the interview, Laura Lora talks about her experiences an artist, navigating between Ghana and the United States. Growing up in Los Angeles has definitely influenced her music and style, as she talks about being Ghanian and American. Laura Lora, who majored in Black Studies in college, also talks about her experiences in the African American community, and with the divide between Africans and Africans Americans in the United States. 

Her music and work has also placed her in conversations around gender and sexuality, where she chooses to confront ideas on how African, or Ghanian women should dress and behave. In this interview she also addresses ideas of beauty and femininity, which she has also chosen to challenge. 

Laura Lora is very conscious and intentional about her music, and the messages she wants to send. She is very intentional about her confrontations with gender and identity. Her most recent video for the song “Rebel” blends hip hop, femininity, Ghanian ascetics, and American sounds and visuals. The colorful video is clear in its expression of all of these identities.

You can find Laura lora on:
lauraloramusic.com
SoundCloud @lauraloramusic
Facebook @Lauraloramusic
Instagram @Mslauraloa
Twitter @akaDeviantLady 

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