In one of his singles from 2017, Liberian Trapco artist Bucky Raw incorporates both Liberian colloquial and American references in “Pump Tire”. Pump tire is known as a form of punishment in Liberia where one squats up and down repeatedly until they have learned their lesson through the pain experienced. Using a bumping hip hop beat, Bucky Raw tells anyone that is broke or fronting on him to “pump tire”, as he brags about his flow and status in Trapco, using women and the hustle for money as a reference.
His chorus tells those who are broke and “gbele” to “pump tire” as they cant even afford to buy something as small as a pepper. Girls who “take money for free” and show off with the money that is not theirs can also “pump tire”. These are all common terms in Liberian colloquial. He then uses American slang in his hook by repeatedly saying “you hear me”, a phrase used after a statement to ensure the audience is paying attention to what he has to say. Continue reading “Bucky Raw Shows Us What Trapco is All About in “Pump Tire””
This year’s past Trinity International Hip Hop Festival also featured a live Graffiti Exhibition at the Gates Quad, an area in front of Mather Hall. The two-cube installation was created that Saturday morning with works by Marcelo Ment from Brazil, Hartford natives Lindaluz Carrillo, Poptart, and Kamil Kucharek, Yuanije K-Ching Qian from Montreal, Canada.
The first piece that I really liked was the freestyle graffiti piece by Brazilian artist Marcelo Ment. The intricate graffiti piece features a clever combination of lines and color to create depth and emphasis of the blend of both a bookcase and cityscape setting. The use of both warm and cool colors with blue, yellow, red, green and purple hues creates further contrast. There is movement in the center of the piece with a spiral shape connecting two silhouettes facing opposite of one another surrounded by terms such as “I am one because we are one”, “life”, and “respect”. “Trinity His Hop” is written in bold white letters in the bottom corner to pay homage to the festival. The graffiti piece highlights empowerment, unity and education through its’ bold lettering and style.
Another piece I really liked was the abstract Tetris-like piece which I believe is by Lindaluz Carrillo, an artist and graduate from the University of Hartford. The piece is a 3D abstract Tetris-like shape with landscape details inside the shape. The cool blue tones go the mountains and waves inside the shape contrast with the warm pink surrounding it. The use of black inside the shape also gives it an illusion of a face. I would consider this to be quite an urban piece as abstract shapes that both makes you think and strikes emotion are very common in graffiti art.
The graffiti exhibition was an effective visual art piece for the festival. The main piece “Trinity Hip Hop” in front of the first cube was a great backdrop for some Trinity Festival photos! The bold graffiti letters against a dark background creates contrast and attracts attention to the words on the piece. The graffiti overall surrounds us around urban themes, including empowerment, courage and unity.
The 13th annual Trinity International Hip Hop Festival was focused on censorship and activism when it comes to hip hop on a global scale. Aside from great performances and artwork from international acts, there were also discussions and panels catered to the overall theme of protest, free speech empowering the youth around the world. One panel in particular that was very engaging was the discussion on “Free Speech, Censorship and Protest” which featured MC Puos and Dana Burton from China and Emile YX from South Africa on the panel that moderated by Dr. Msia Clark herself. Continue reading “Trinity Hip Hop Festival 2018 Panel Discussion: “Free Speech, Censorship and Protest” Recap”
It’s been about a year since Wale has released his 6th studio album SHINE and one of his main singles “Fine Girl” still resonates with me. I love the song so much because the Nigerian-raised artist really represents his roots here. The term “fine girl” is often used in Nigerian and other African cultures to describe a beautiful woman. Wale definitely has ‘endless fine girls’ in his video as it is filled with myriad beautiful women from the Diaspora in a variety of shades and sizes wearing Ankara attire, showing off their killer dance moves as they wave their flags from Nigeria, Uganda, Ghana, Liberia and other African countries. Continue reading “One Year Later: Wale’s “Fine Girl” is Still a Hit!!”
Liberian artist Christoph the Change is one of the country’s most innovative artists that are beginning to put the Liberian music scene on the global map. He is known as a pioneer of Hipco, a native genre that incorporates Liberian English, a patois and colloquial language, with a unique rap style and traditional beats. It uses Western hip hop influences with their traditional languages and slang to create music . Continue reading “Christoph the Change Wants to Know WHAT YALL WANT!? (Liberian Music)”