The Trinity International Hip-Hop Festival and Conference is seeking submissions for performers and presenters for their 15th annual event to be held at Trinity College in Hartford, Connecticut, on March 26-29, 2020. This year’s theme is “15 Years of Hip Hop: Past, Present and Future”. This year, the festival is honoring the roots of hip hop as a vehicle of empowerment and resistance for marginalized voices while celebrating how hip hop has also dynamically changed as a movement through time. Looking back in order to step forward, this 15th year’s focus is to honor the foundations of hip hop as well as to celebrate the artists that keep hip hop alive. We invite all artists from around the world to celebrate the roots, seeds, and branches of hip hop as we honor how it has existed, developed, mobilized, and sparked change throughout the decades.
Two Post-Doctoral Researcher posts in Hip Hop Studies, are available at the Department of Music in the School of Film, Music, and Theatre at University College Cork.
We look to hire two Post-Doctoral Researchers with specialization in the hip hop cultures of any world culture region(s) outside of Europe and North America. Especially welcome (but not necessary) will be hip hop scholars with specialisms in two or more cultural/musical/linguistic areas (e.g. Japanese and Mandarin; Wolof, French, and Arabic; Spanish, Tagalog, and English).
Mohamed Amine Benloulou is an Algerian hip hop scholar & beat maker based in Algiers. This interview took place in April, in the midst of protests in Algeria calling for the stepping down of the president and his government. Mohamed spoke about the history of hip hop in Algeria, historical connection between Algeria and Black liberation movements in the US, the influence of hip hop in historical and contemporary social movements in Algeria, and the role of racial and ethnic identities in Algerian hip hop.
Mohamed also discusses research on the connection between the Battle of Algiers film and hip hop, as well as cultural diplomacy and hip hop, as well as challenges around hip hop studies in Algeria.
Mohamed’s Soundcloud page: soundcloud.com/mohamedaminebenloulou Facebook: https://www.facebook.com/DJAMINE47beatmaker/
The episode features the song “Allo le Système!” by Algerian emcee Raja Meziane. https://www.youtube.com/watch?v=o-ajCGiDlrg (w/English subtitles).
Facebook: https://www.facebook.com/pg/rajamezianeofficielleTwitter: https://twitter.com/RajaMeziane
Hip-Hop and Human Rights in Africa By Msia Kibona Clark February 2019 | Georgetown Journal of International Affairs “The presence of social commentary on human rights in
This episode is an African Studies palaver on teaching hip hop related courses at historically Black colleges and universities (HBCUs). The discussion focused on approaching hip hop studies from African centered perspectives, as well the impact of those courses being taught at HBCUs on their structure and content.
Leading the discussion are hip hop professors/activists who are teaching hip hop related courses and participating in important dialogues within hip hop studies.
Greg Carr @AfricanaCarr Howard University
Tewodross Melchishua Williams Bowie State University
Jared Ball @IMIXWHATILIKE Morgan State University
Moderator: Msia Kibona Clark @kibona Howard University
The event was held at Howard University and was sponsored by the Department of African Studies and the Ralph Bunche International Affairs Center.
Music by Sa-Roc: http://sarocthemc.com | @sarocthemc | facebook.com/sarocthemc/
This Sunday, the 20th of May, the Smithsonian National Museum of African Art will host a book talk for the new book Hip-Hop in Africa: