Tag: apartheid
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HHAP Ep77: DJ Azuhl on Hip-Hop & DJing Culture in South Africa
DJ Azuhl (djazuhl.net) is a prominent South African DJ with Beat Bangaz (beatbangaz.net), a DJ collective in Cape Town. He was born and raised in Cape Town and has been involved in the Hip-Hop community in Cape Town since the 1980s. DJ Azuhl started out breakdancing with the legendary Breaking crew Brasse Vannie Kaap (BVK). He’s a co-founder of the Beat Bangaz DJ Academy and Beat Bangaz Radio. He also works with Hip Hop Education South Africa. In this interview, DJ Azuhl talks about the early years of Hip-Hop in Cape Town, especially during the years that South Africa was under apartheid rule. DJ Azuhl also shares his perspective on DJing and Hip-Hop culture in South Africa, and the art form of the Hip-Hop DJ. Cape Town’s old-school artists are often heavily involved in mentoring young Hip-Hop heads, and DJ Azuhl talks about the importance of reaching back and giving back to the culture.
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Female & Southern African Rappers — Putting Themselves on the Map
A woman stepping into the male-dominated field of hip-hop is revolutionary in itself. Hip-hop was created by men like DJ Kool Herc and Afrika Bambaataa, in the South Bronx of New York City. Upon its creation you did not see too many female emcees and the weight of hip-hop was carried on the shoulders of
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Prophets Of Da City-Neva Again
Prophets Of Da City was a Hip Hop group in South Africa from 1988 to 2001. The group consisted of three rappers, Ready D, Shaheen and Ramone, the three black South Africans who lived in the discriminatory apartheid era. The rappers, having been social outcasts during the apartheid era were renowned for producing songs with
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HHAP Episode 24: Free Speech, Censorship, and Protest in China and South Africa
This podcast is the panel discussion titled “Free Speech, Censorship and Protest”, that was held at the 13th annual Trinity International Hip Hop Festival at Trinity College, in Hartford, Connecticut. The discussion addressed issues of censorship and free speech in hip hop, in both China and South Africa. The artists discussed their own careers in hip hop, and hip hop culture in their countries. The panel featured MC Puos, a Chinese artist based in Shanghai. He is a co-founder of Bang, China’s 1st hip hop magazine, and a founding member of the hip hop collective DDM. He also launched a startup education technology company to promote hip hop culture in China, and recently released a documentary on hip hop in China. Dana Burton (@DetroitShowtyme), an American artist based in Shanghai. After leaving Detroit for China, he became involved in the hip hop scene in China and created Iron Mike, a national rap battle that takes place in China. Emile YX (@EmileYX), a South African artist based in Cape Town. He is a member of the pioneering hip hop group Black Noise, and is the founder of the hip hop based community organization Heal the Hood. The panel was moderated by Dr. Msia Kibona Clark (@kibona), from Howard University
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Black Like Me
Hip Hop was borne from the oppression Black people faced in their urban communities and the outlet to this madness was found in a dope beat and intellectual wordplay. The Black struggle found in the Bronx in America can be mirrored in South Africa where Black people were similarly oppressed in their communities. The Black struggle