Tag: Zulu
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Nasty C is a ‘Zulu Man with Some Power’
Upcoming South African rapper has quickly become a force to reckoned with in the rap game. Nsikayesizwe David Junior Ngcobo, better known as Nasty C, was born in Diepkloof, a borough of Soweto, Johannesburg, and developed his love for rap at a very early age. He learned basic production tips and techniques from his older
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Nasty C & His Effect on the Diaspora
Born in South Africa, Nasty C began rapping at the age of nine with inspiration from his older brother. What is even more surprising is that he dropped his first album at fifteen titled “One Kid, A Thousand Coffins.” His most recent album “Zulu Man with Some Power”, addresses the racial injustices in wake of
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Nasty C
Nasty C also known as, Nsikayesizwe David Junior Ngcobo, is a popular South African rapper, songwriter, and producer. He was born on February 11, 1997 (25 years old) in Diepkloof. Unfortunately when he was 11 months old, his mother passed away in a fatal car crash which resulted in him moving to Durban, Kwa-Zulu Natal to
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HHAP Ep 73: A Discussion on Race and Identity in South African Hip Hop
In part 2 of our conversation with Dr. Sipho Sithole, he discusses the regional differences in South African hip hop. He talks about the hip hop scenes in Cape Town, Durban, and Johannesburg. He also discusses the linguistic differences in South African hip hop and the role ethnic identity plays in the styles and languages artists utilize. He also looks at the evolution of pop music in South Africa, from kwaito, to gqom, to amapiano. Sipho also discusses the dynamics within Coloured communities in South Africa, and the relationships between Black and Coloured South Africans. He provides history of the origins of Coloured South Africans among the Khoi & San (first nation) communities, and their forming close-knit communities. The hip hop that came out of those communities, largely based in Cape Town, addressed the social ills happening in the Coloured townships. In looking at the divisions between Black and Coloured South Africans, we compare it to the relationships between African Americans and African immigrants in the U.S. There are not many discussions around Black & Coloured relations in South African hip hop, so it was important to get a perspective on the history of those relationships. Intro song: “Yesterday” with Zakwe, Zuluboy, & Zola Dr. Sipho Sithole (@DrSiphoSithole) is a Research Fellow at the Johannesburg Institute for Advanced Study (University of Johannesburg) and holds a PhD in Anthropology, a B.Sc in Political Science and International Relations, and an M. Sc in Industrial Relations and Personnel Management. Dr. Sithole’s research revolves around language identity, culture, migration, and integration. Sithole has a long career in hip hop & is the founder and owner of an important and multi-award-winning music production house, Native Rhythms Productions, & Native Rhythms Records.
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HHAP Ep 72: A Conversation on South African Popular Music with Sipho Sithole, p. 1
Dr. Sipho Sithole is a Research Fellow at the Johannesburg Institute for Advanced Study (University of Johannesburg) and holds a PhD in Anthropology, a B.Sc in Political Science and International Relations, and an M. Sc in Industrial Relations and Personnel Management. Dr. Sithole’s research revolves around language identity, culture, migration, and integration. Sithole has a long career in hip hop & is the founder and owner of an important and multi-award-winning music production house, Native Rhythms Productions, & Native Rhythms Records. Sithole has is credited for helping mainstream hip-hop in South Africa when he signed Skwatta Kamp in 2003, the first group to achieve platinum sales. He held what he says is the 1st African hip hop summit in 2005 He is also a producer, winning awards for his production work on Thandiswa Mazwai’s debut album, Zabalaza (2004). In this interview, he talks about his involvement in the growing hip hop scene in South Africa in the early 2000s. It was a time when kwaito’s mainstream popularity was declining, and Sipho Sithole talks about the decision to begin working with hip hop artists. He also talks about the role of the township in producing and shaping the South African hip hop scene, as well as social consciousness. In part 2 of this interview, we delve into a discussion of race and identity in South African hip hop, and the spaces within hip hop that Black and Coloured South Africans occupy.
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Botswana’s Dramaboi & His Artful Command of Language
Within the heart of African Hip-Hop lies a blend of cultures and traditions reflected through artful use of smooth mixtures of languages, both native and foreign, and tongues both intimate and mainstream. Thuto Ricardo Ramphaleng, more commonly known by his stage name, Dramaboi, is a young Botswanan Motswako hip-hop artist from the townships whose fluid
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Saudi
Anele Mbisha, known to his fans as Saudi, was born and bred in one of Soweto’s townships, Senaone. Growing up in a family that loved music and had a large collection of records. The likes of Brenda Fassie, Michael Jackson and Nina Simone inspired him to pursue music as a career. The Twenty-one year old