Tag: Mejah Mbuya
Dr. Seth Markle is an Associate Professor of History and International Studies at Trinity College in Hartford, Connecticut. Seth received his PhD in History from New York University. At Trinity College he teaches the courses Global Hip Hop Cultures and Introduction to Hip Hop. Much of his academic work has centered around Diaspora communities in Tanzania. His new book A Motorcycle on Hell Run: Tanzania, Black Power and the Uncertain Future of Pan-Africanism, 1964-1974 is scheduled to be released this year with Michigan State University Press. His work in hip hop has been global. He has been very active in the hip hop scene in Tanzania, where is known as DJ Pemba. He has also traveled to several countries and worked with hip hop communities from Costa Rica to Russia. He is currently the faculty advisor for the Trinity International Hip Hop Festival, which happens every year on the campus of Trinity College and features artists, activists, and scholars from all over the world. In this conversation we discuss the festival, it’s background and mission, as well as how people can get involved. We also discuss his work in Tanzania, his research, and being a hip hop academic.
by Msia Kibona Clark and Mickie Mwanzia Koster Now available in paperback & on Kindle https://www.amazon.com/Hip-Hop-Social-Change-Africa/dp/1498505805 This book examines social change in Africa through the lens of hip hop music and culture. Artists engage their African communities in a variety of ways that confront established social structures, using coded language and symbols to inform, question, and challenge. Through lyrical expression, dance, and graffiti, hip hop is used to challenge social inequality and to push for social change. The study looks across Africa and explores how hip hop is being used in different places, spaces, and moments to foster change. In this edited work, authors from a wide range of fields, including history, sociology, African and African American studies, and political science explore the transformative impact that hip hop has had on African youth, who have in turn emerged to push for social change on the continent. The powerful moment in which those that want change decide to consciously and collectively take a stand is rooted in an awareness that has much to do with time. Therefore, the book centers on African hip hop around the context of “it’s time” for change, Ni Wakati.