Tag: Kwaito
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HHAP Ep 73: A Discussion on Race and Identity in South African Hip Hop
In part 2 of our conversation with Dr. Sipho Sithole, he discusses the regional differences in South African hip hop. He talks about the hip hop scenes in Cape Town, Durban, and Johannesburg. He also discusses the linguistic differences in South African hip hop and the role ethnic identity plays in the styles and languages artists utilize. He also looks at the evolution of pop music in South Africa, from kwaito, to gqom, to amapiano. Sipho also discusses the dynamics within Coloured communities in South Africa, and the relationships between Black and Coloured South Africans. He provides history of the origins of Coloured South Africans among the Khoi & San (first nation) communities, and their forming close-knit communities. The hip hop that came out of those communities, largely based in Cape Town, addressed the social ills happening in the Coloured townships. In looking at the divisions between Black and Coloured South Africans, we compare it to the relationships between African Americans and African immigrants in the U.S. There are not many discussions around Black & Coloured relations in South African hip hop, so it was important to get a perspective on the history of those relationships. Intro song: “Yesterday” with Zakwe, Zuluboy, & Zola Dr. Sipho Sithole (@DrSiphoSithole) is a Research Fellow at the Johannesburg Institute for Advanced Study (University of Johannesburg) and holds a PhD in Anthropology, a B.Sc in Political Science and International Relations, and an M. Sc in Industrial Relations and Personnel Management. Dr. Sithole’s research revolves around language identity, culture, migration, and integration. Sithole has a long career in hip hop & is the founder and owner of an important and multi-award-winning music production house, Native Rhythms Productions, & Native Rhythms Records.
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HHAP Ep 72: A Conversation on South African Popular Music with Sipho Sithole, p. 1
Dr. Sipho Sithole is a Research Fellow at the Johannesburg Institute for Advanced Study (University of Johannesburg) and holds a PhD in Anthropology, a B.Sc in Political Science and International Relations, and an M. Sc in Industrial Relations and Personnel Management. Dr. Sithole’s research revolves around language identity, culture, migration, and integration. Sithole has a long career in hip hop & is the founder and owner of an important and multi-award-winning music production house, Native Rhythms Productions, & Native Rhythms Records. Sithole has is credited for helping mainstream hip-hop in South Africa when he signed Skwatta Kamp in 2003, the first group to achieve platinum sales. He held what he says is the 1st African hip hop summit in 2005 He is also a producer, winning awards for his production work on Thandiswa Mazwai’s debut album, Zabalaza (2004). In this interview, he talks about his involvement in the growing hip hop scene in South Africa in the early 2000s. It was a time when kwaito’s mainstream popularity was declining, and Sipho Sithole talks about the decision to begin working with hip hop artists. He also talks about the role of the township in producing and shaping the South African hip hop scene, as well as social consciousness. In part 2 of this interview, we delve into a discussion of race and identity in South African hip hop, and the spaces within hip hop that Black and Coloured South Africans occupy.
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Is Kwaito South African hip hop?
In the article, Is Kwaito South African hip hop?, Swarlene Swartz writes about Kwaito in South Africa. There is an ongoing debate in South Africa as to calling “Kwaito” music South African hip hop. Many people argue that it is not, saying that it is merely mainstream European house music with reggae and rock elements.
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Youth All Over Africa Find a Voice
In the article, Singing their Way Out of Poverty: Africa’s Urban Youth Find a Voice, Rasna Warah writes about how youth all over Africa have embraced hip-hop. She cites numerous examples of artists who have been able to pull themselves out of poverty by becoming successful hip-hop artists. Many people in African say “hip hop