Tag: Intersectionality
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HHAP Episode 60: The Dope Saint Jude Episode
Dope Saint Jude is a South African hip hop artist who was born and raised Cape Town. A former Political Science student at the University of Cape Town, she started her hip hop career in 2011 as a drag king. Her drag king persona was Saint Dude, and resembled rapper Lil Wayne. After releasing several singles, Dope Saint Jude’s first EP, Reimagine, was released in 2016, Her second project, Resilient, was released in 2018. It included the song “Grrrl Like”, which opens this episode and has been one of her biggest hits. The song was also featured in the teaser for the Netflix original series Blood & Water https://youtu.be/OV9Ma4F_xyA. Dope Saint Jude has also performed at Afropunk, been featured in Vogue & Marie Claire, and been part of major advertising campaigns. In this conversation we discuss the social relevance of her music. Well versed in the politics of intersectionality, Dope Saint Jude is very intentional in what she does. In her music she weaves intersecting identities into lyrics that challenge listeners to reconsider their ideas about who they think Black, Coloured, queer South African hip hop women should be. You can find Dope Saint Jude’s music on streaming platforms. She is also online at dopesaintjude.com, twitter.com/DopeSaintJude, instagram.com/dopesaintjude, and youtube.com/channel/UCdGiyFXiSgtTCXu1AGUeK3A. For more scholarship on Dope Saint Jude’s work: Chapters 24 “Queering Hip Hop, queering the city: Dope Saint Jude’s transformative politics” by Adam Haupt and 29 “Building an international profile as an artist” by Dope Saint Jude, Blaq Pearl, Black Athena, Jean-Pierre, Lyrical Deezy with Emile YX? in Haupt, Adam, Williams, Quentin, Alim, Samy H., Jansen, Emile. (2019). Clark, Msia Kibona. (2018). Feminisms in African hip hop. Meridians: Feminism, Race, Transnationalism, 17 (2), 383-400.