In his well-known song and music video, “Votez pour moi” [“Vote for me”], Burkinabé rapper Smockey takes to the microphone to simultaneously parody and criticize the 2005 presidential re-election campaign of then-incumbent Blaise Campaoré. In both the lyrics and the ridiculous video accompaniment, Smockey works to make fun of and tear down the messaging of Campaoré’s
In his 2015 video “Rogomiki”, Burkinabe musician Art Melody takes to the streets of Ouagadougou to rap about the conflicts he’s witnessed between tradition and modernity in Burkina Faso. The video starts with a shot of Art Melody standing with a friend and someone dressed in long, flowing traditional top and a lion’s head in
This is episode 12 of the podcast, and the fourth and last in a series of episodes recorded live at the Trinity International Hip Hop Festival in Hartford, Connecticut. The festival took place the 6th to the 9th of April, 2017. This episode features a conversation with Mathurin Soubéiga, who does booking and promotion at Shrine World Music Venue in New York. He is also the former Coordinator of the Waga Hip Hop Festival in Ouagadougou, Burkina Faso. Soubéiga also runs the Burkina Rap Connection blog The Waga Hip Hop Festival has a history of being an epicenter of West African, especially Francophone, hip hop. The festival had a strong reputation for promoting serious hip hop. In this conversation we discuss hip hop and Burkina Faso and the legacy of the Waga Festival. In Ouagadougou, where the festival began and was held, the hip hop community has produced some serious & conscious hip hop artists. Smockey, one of the activists in the Le Balai Citoyen (Citizen’s Broom) movement that helped to overthrow Burkina Faso’s previous president, is also a pioneer in Burkinabe rap. The intro and outdo song is “Insoumission” by Burkina emcee Smockey: https://youtu.be/e89IvPAq8Zc In 2011, Nomadic Wax released a 17 minute documentary titled Hip Hop Burkinabé, and it can be found on YouTube In 2016, Aj Jazeera published an article on the involvement of the artists in the Le Balai Citoyen movement titled “The soundtrack to Burkina Faso’s revolution” Text on hip hop in Burkina Faso include: Marie-Soleil Frère and Pierre Englebert. “Briefing: Burkina Faso—the Fall of Blaise Compaoré” in African Affairs (2015). Daniel Künzler and U Reuster-Jahn. “Mr. President”: musical open letters as political commentary in Africa” in Africa Today (2012). Daniel Künzler. “Rapping Against the Lack of Change: Rap music in Mali and Burkina Faso” in the book Native Tongues: An African Hip-Hop Reader (2011) edited by P. Khalil. Saucier.