Tag: Amkoullel L’enfant Peulh
This episode is a conversation with Malian hip hop artist and activist Amkoullel L’enfant Peulh on hip hop and politics in Mali. Amkoullel has been involved in hip hop culture in Mali for many years, and he’s been vocal about politics inside and outside of the country. Having lived in France and the United States, Amkoullel is back in Mali where he remains involved in the hip hop community. He is also involved in mentoring artists and working in TV and radio production and distribution in Mali. A strong voice in Malian hip hop, in this conversation we discuss the political nature of Francophone rap in West Africa, specifically in Mali, Senegal, and Burkina Faso. Amkoullel traces how hip hop artists in Mali developed their own lyrical identity, based in large part on their own oral traditions and cultural identities. In discussing the past and current political events in Mali, Amkoullel talks about the roles of artists in social change and the importance of artists representing the voice of the people when they use their platform on the international stage. Amkoullel also discusses the impacts of the media’s misconceptions of Mali within the country, as well as the impact of political events in Mali on Malian hip hop. We begin the episode with one of Amkoullel’s early songs, “Farafina”, which was released in 2010. The next song is “Maliko”, which was recorded by several Malian musicians, including Amkoullel. The song is a call for peace and an end to violence against women. Amkoullel is on Instagram: https://www.instagram.com/amkoullel_a.k.a._ez_ba/
by Msia Kibona Clark and Mickie Mwanzia Koster Now available in paperback & on Kindle https://www.amazon.com/Hip-Hop-Social-Change-Africa/dp/1498505805 This book examines social change in Africa through the lens of hip hop music and culture. Artists engage their African communities in a variety of ways that confront established social structures, using coded language and symbols to inform, question, and challenge. Through lyrical expression, dance, and graffiti, hip hop is used to challenge social inequality and to push for social change. The study looks across Africa and explores how hip hop is being used in different places, spaces, and moments to foster change. In this edited work, authors from a wide range of fields, including history, sociology, African and African American studies, and political science explore the transformative impact that hip hop has had on African youth, who have in turn emerged to push for social change on the continent. The powerful moment in which those that want change decide to consciously and collectively take a stand is rooted in an awareness that has much to do with time. Therefore, the book centers on African hip hop around the context of “it’s time” for change, Ni Wakati.