GNL Zamba’s Rapid Rise in Uganda, Indigenous Pride, and His Take on Social Issues

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GNL Zamba stands out in Uganda’s rap scene as the first rap artist to popularize indigenous rap, or Lugaflow. He inspired a new generation of rappers in Uganda to rap in their indigenous languages. He earned fame as a rap artist during the initial development of the hip hop scene in Uganda, where he auditioned for Hip Hop Canvas, a multi-lingual music project. He stood out because of his ability to tell local stories in Luganda through his rap. GNL Zamba came to discover his passion for music as a child, when his grandmother encouraged him to pursue it. He grew up in the slums of Kampala around a lot of poverty post-civil war, which helped GNL Zamba tell stories about socioeconomic issues in his rap. Surprisingly, he went on to get a Bachelor’s Degree in Environmental Management. He is now the founder and CEO of an independent Hip Hop label called Baboon Forest Entertainment.

GNL Zamba is most well known for using his songs to highlight and criticize issues of sexuality, womens’ issues, domestic violence, politics, environment, and more. He uses characters in his raps to portray instances of these issues affecting people’s lives.

GNL Zamba is heavily involved in humanitarian and social work, both in Uganda and overseas. He has done a lot of work to promote sexual health and safety. He worked with Buzz Teenies to tour Ugandan schools, provide mentorship, and speak about safe sex. His song, “We Cry,” was a huge influence in promoting the message of safe sex to Ugandan youth. Additionally, his music video for “True Manhood” encouraged Ugandan youth to use condoms. He has also travelled to the US, and helped promote sexual health programs in Los Angeles and NYC.

GNL stands for “Greatness No Limits,” and GNL Zamba’s greatness is easily seen in his work promoting indigenous languages as well as the stories of Ugandan people in his music.




One response to “GNL Zamba’s Rapid Rise in Uganda, Indigenous Pride, and His Take on Social Issues”

  1. Groups and solo artists during that period include the likes of Junior Pretty, Daniel ‘Danny’ Wilson, Plantashun Boiz, Remedies with members Eedris Abdulkareem, Eddy Remedy Tony Tetuila. The late and the early years of the new millennium saw an outburst of artists and groups, many returning home from the Western Diaspora, like Eldee da Don of Trybesmen, Madarocka and the S.O.U.R.C.E. Clik, Naeto C of W.F.A, and from Europe, JJC and the 419 squad became a part of mainstream Nigerian music after the collapse of pop trends like Yo-pop .

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