This semester students in the Hip Hop and Social Change in Africa course did either podcasts and art pieces. This is some of the artwork submitted from this semester’s students.
Brain Robert Ouko aka Papa Jones aka Khaligraph Jones was born on June 12, 1990 in Nairobi, Kenya. To be more specific he was raised in Kayole Estate in Nairobi. Khaligraph Jones is now a popular Kenyan hip hop artist. But he wasn’t always known. He started music at a very young age, influenced by his elder brother. He’s first recognized from his first track at the age of 13. Six years later at age 19 Khaligraph won the Kenyan Edition of the Channel O Emcee Africa competitions in 2009. Continue reading “Straight Outta Kenya”
NINE7 is an African rap crew that aims to pave their way in the music industry. This rap crew is made up of rappers, producers, songwriters and they all have been determined to work on the most important part of their music which is their sound. Continue reading “Artist Review: NINE7 “#Felicia” and Type Beats”
[Please note: This book is published in French language text.] Wala Bok: An Oral History of Hip Hop in Senegal explores and reflects on the evolution of generations of hip hop artistes and practitioners, from the early pioneers to the new kids on the block, producers, and the social critics involved in this complex movement. In Senegal, hip hop has been very political from the go, from ‘Set Setal’ cleanliness campaigns of the 80s and 90s, to the Y’en a marre movement that became instrumental to derailing the monarchic wishes of an octogenarian president to usher in a second ‘alternance’ in 2012. The images and testimonies of this movement, shaped by the recognition for cultural diversity and motivated by the quest for making the world a better place, unveil a heterogeneous eclectic community pulled between individual artistic promotion and political commitment. Includes photographs and contributions from scholars such as Greg Thomas, Eugene Adams, Ousmane Sene, Abdoulaye Niang and many hip hop artistes and practitioners in Senegal including Daara J Family, Didier Awadi, Fou Malade, Keur Gui, Daddy Bibson, Lord Alajiman, Chronik 2H, ALIF, Moona, Rapattack and many others. Kande Senghor studied cinema, civilizations and languages at the Universite Charles de Gaulle in Lille, France. She worked with the director Wim Wenders on The Invisible (2007), a documentary on women raped by the May May fighters during the civil war in Congo. She was a privileged collaborator of Sembene Ousmane. In 2006, she presented photographic works in the exhibition Snap Judgements at the invitation of Okwui Enwezor at the New York Contemporary Photography Museum. The documentary The Other in Me (2012) explores the threads in connection, identity, belonging and the Diaspora between two identical twin brothers. In 2015, her documentary film Giving Birth on the enigmatic Senegalese sculptor Seni Camara was an official selection at the Venice Biennale.
This book examines social change in Africa through the lens of hip hop music and culture. Artists engage their African communities in a variety of ways that confront established social structures, using coded language and symbols to inform, question, and challenge. Through lyrical expression, dance, and graffiti, hip hop is used to challenge social inequality and to push for social change. The study looks across Africa and explores how hip hop is being used in different places, spaces, and moments to foster change. In this edited work, authors from a wide range of fields, including history, sociology, African and African American studies, and political science explore the transformative impact that hip hop has had on African youth, who have in turn emerged to push for social change on the continent. The powerful moment in which those that want change decide to consciously and collectively take a stand is rooted in an awareness that has much to do with time. Therefore, the book centers on African hip hop around the context of “it’s time” for change, Ni Wakati.
The book features essay by hip hop artists and activists like Amkoullel L’enfant Peulh (Mali), Kama from Kalamashaka (Kenya), Malle Marxist (Tanzania), Mejah Mbuya (Tanzania), and Slim Emcee (Uganda). The book also features a chapter co-authored by South African hip hop pioneer Shaheen Ariefdien. The book also has chapters that cover Kenya, Madagascar, North Africa, Senegal, Sierra Leone, South Africa, and Tanzania.