Show & Prove 2018 Hip Hop Studies ConferenceDecember 7-9, 2018 | Riverside, CA CALL FOR PAPERS/ PANELS/ PERFORMANCES/ WORkSHOPSSubmissions are due by the 14th of
This is episode 12 of the podcast, and the fourth and last in a series of episodes recorded live at the Trinity International Hip Hop Festival in Hartford, Connecticut. The festival took place the 6th to the 9th of April, 2017. This episode features a conversation with Mathurin Soubéiga, who does booking and promotion at Shrine World Music Venue in New York. He is also the former Coordinator of the Waga Hip Hop Festival in Ouagadougou, Burkina Faso. Soubéiga also runs the Burkina Rap Connection blog
The Waga Hip Hop Festival has a history of being an epicenter of West African, especially Francophone, hip hop. The festival had a strong reputation for promoting serious hip hop. In this conversation we discuss hip hop and Burkina Faso and the legacy of the Waga Festival.
In Ouagadougou, where the festival began and was held, the hip hop community has produced some serious & conscious hip hop artists. Smockey, one of the activists in the Le Balai Citoyen (Citizen’s Broom) movement that helped to overthrow Burkina Faso’s previous president, is also a pioneer in Burkinabe rap.
The intro and outdo song is “Insoumission” by Burkina emcee Smockey: https://youtu.be/e89IvPAq8Zc
In 2011, Nomadic Wax released a 17 minute documentary titled Hip Hop Burkinabé, and it can be found on YouTube[youtube https://www.youtube.com/watch?v=jf0OUz6LDEo%5D
In 2016, Aj Jazeera published an article on the involvement of the artists in the Le Balai Citoyen movement titled “The soundtrack to Burkina Faso’s revolution”
Text on hip hop in Burkina Faso include:
Marie-Soleil Frère and Pierre Englebert. “Briefing: Burkina Faso—the Fall of Blaise Compaoré” in African Affairs (2015).
Daniel Künzler and U Reuster-Jahn. “Mr. President”: musical open letters as political commentary in Africa” in Africa Today (2012).
Daniel Künzler. “Rapping Against the Lack of Change: Rap music in Mali and Burkina Faso” in the book Native Tongues: An African Hip-Hop Reader (2011) edited by P. Khalil. Saucier.
This is episode 11 of the podcast, and the third in a series of episodes recorded live at the Trinity International Hip Hop Festival in Hartford, Connecticut. The festival took place the 6th to the 9th of April, 2017.
This episode is a conversation with Babaluku and Gilbert from Bavubuka Foundation in Kampala, Uganda. Babaluku is a founding member of the Uganda hip hop group Bataka Squad, and has been involved in the hip hop community in Uganda since the early years. Gilbert, the hip hop archivist, is a photographer who has been archiving hip hop culture in Africa for several years. Through the Bavubuka Foundation, Babaluku and Gilbert, have built a large hip hop network and community in Uganda and east & central Africa. Their yearly B-Global Indigenous Hip Hop Gathering* happens at the end of December and brings in Macs from all over East and Central Africa
*The name of the gathering is quoted wrongly in the podcast
To get in touch with Bavubuka on Facebook: https://www.facebook.com/bavubuka/
4:51 Bavubuka’s work with the youth
19:52 Minutes in impact of Invisible Children and other NGOs on their work & distortions of African stories.
30:08 African linkages
38:45 indigenous hip hop
50:15 Get in touch
56:02 “Traveling Man” by Babaluku
This is episode 10 of the podcast, and the first in a series of episodes recorded live at the Trinity International Hip Hop Festival in Hartford, Connecticut. The festival took place the 6th to the 9th of April, 2017. This episode was a panel titled “Independent and Political Hip Hop in Cuba” with Pedro Vidal of the Cuban Soul Foundation in Miami, Florida and hip hop artists David D Omni and Escuadron Patriota, who live in Cuba. The panel was an interesting discussion on hip hop and the state in Cuba.
This is a link to the video for the song Decadencia, played at the end of the episode. The video has English subtitles. https://www.youtube.com/watch?v=bQPXTsTderI
David D Omni on Facebook and Twitter @domnibus
Escuadron Patriota has a Twitter account @s4dronpatriota, but he has not posted in awhile.
Here is a link to the Cuban Soul Foundation: http://cubansoulfoundation.org/
Artist Profile: Graffiti Writer Behulum (Ethiopia) at the 12th Annual Trinity International Hip Hop Festival. This is a special podcast episode recorded at the Trinity International Hip Hop Festival, by guest host Seth Markle and guest producer by Kalalea