Posted in Africa, CFP

Call for Papers: Book on Hip Hop & Social Justice

Hip Hop and Social Justice

Edited Volume Call for Papers

Editors: Lakeyta M. Bonnette-Bailey, Georgia State University, Department of Political Science & Adolphus G. Belk, Jr., Winthrop University, Department of Political Science

In 2017, Hip-Hop celebrates its 44th year of existence as a cultural form. Since its inception in urban America, Hip-Hop has transformed into a global phenomenon, serving as a political, social, and cultural mode of expression for people of various races and ethnicities. Not only has rap music experienced an increase in the diversity of its creators and consumers, it has also witnessed an expansion of the political activities of Hip-Hop artists as well as a surge in its influence on political movements across the world. Thus, Hip-Hop is a critical voice for marginalized communities due to its ability to disseminate knowledge, facilitate awareness, and promote mobilization and action for many social injustices.

Hip-Hop and Social Justice is a seminal text that utilizes different methodologies to examine the uses of various components of Hip-Hop culture to engage diverse political, social, and economic concerns. The goal of the volume is to document and analyze the ways in which Hip-Hop music, artists, scholars, and activists have discussed, promoted, or supported social justice challenges. This manuscript is soliciting chapters that examine the relationships between Hip-Hop culture, political engagement, and social justice work over the last four decades.

The modes in which Hip-Hop has participated in social action are not limited to song creations, campaigns and elections, voter mobilization, and/or monetary contributions. Therefore, this edited volume will be interdisciplinary and focus on the number of ways in which Hip-Hop has been involved in or led social justice fights not only in the U.S., but worldwide. This volume will explore topics such as: Hip Hop and education, Hip Hop and the Black Lives Matter movement, Hip Hop and mass incarceration and the prison industrial complex, Hip Hop and electoral politics, Hip Hop and gender and sexuality, Hip Hop and public policy, Hip Hop, race and racism and Hip Hop and social justice globally.

We hope that you are interested in contributing to this peer-reviewed volume. If so, then please email either Lakeyta Bonnette-Bailey at lbonnette@gsu.edu or Adolphus G. Belk, Jr. at belka@winthrop.edu with an abstract of 500 words or less of your proposed contributions and a brief bio. The abstract should clearly identify your research question, thesis, methods of analysis, results, and the disciplinary home of the research, if any. All abstracts are due November 15, 2017.

Posted in Africa, BBoys, CFP, Diaspora, DJs, Events, Female Emcees, Films, graffiti, Press Release

2018 Trinity Hip Hop Festival

The call for submissions from performers and presenters at the 13th annual Trinity International Hip Hop Festival in Hartford, Connecticut. The festival will be held April 6-8, 2018. The yearly festival brings together artists, organizers, & scholars from around the world for 3 days of workshops, performances, battles, lectures, film showings, and networking. Submissions are due by 17th of November, 2017.For more information check out the festival site: http://trinityhiphop.com/call-for-submissions-2018-festival/

Posted in Africa, CFP, Diaspora, Events

Call For Papers: Hip Hop & Migration

CALL FOR PAPERS: “RAP, SLAM AND SPOKEN WORD: THE MIGRATION, POST-MIGRATION AND SUPER-DIVERSITY EXPERIENCES IN SOUNDS, WORDS AND IMAGES”

Rotterdam, The Netherlands, 28-30 June, 2017

Continue reading “Call For Papers: Hip Hop & Migration”

Posted in CFP, Hip Hop References

Call for book chapters!

Audrey Hudson


CALL FOR BOOK CHAPTERS

Since Hip Hop’s formation, Blackness and Indigeneity have intersected in interesting but previously unacknowledged ways. For instance, the use of the name Pow Wow by a member of the Soul Sonic Force and his wearing a headdress—a stereotype of Indigenous people, produced by Europeans. As Indigenous people have re-emerged in the public consciousness globally, Indigenous Hip Hop artists have been on forefront in asserting Indigenous peoples’ humanity through the cultural power of Hip Hop. And yet, even as Hip Hop Studies scholarship has gone global, or, to paraphrase Jeff Chang’s (2007) proclamation, “It’s a Hip Hop world,” the study of Indigeneity in Hip Hop culture, and how it intersects with blackness, has not been afforded the same attention.

Under contract with Sense Publishers, we would like to invite you to submit an essay for this innovative edited book that analyzes broadly the intersections of Hip-Hop…

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Posted in Africa, CFP

Call for Papers for Special Issue of Journal of Pan African Studies: African Hip Hop

Malian hip hop artist Amkoullel

This issue explores the ways in which African hip hop artists have turned to hip hop as a way to give voice to important social and political questions. The music of Africa and the African Diaspora have a long tradition of borrowing from each other. Emerging from the South Bronx in the 1970s, hip hop’s origins are rooted in African storytelling and musical traditions and built on African American social and political resistance. In the 1980s hip hop made its way to Africa, where youth identified with the stories being told by the Black youth of urban America. Building upon hip hop’s roots as a platform for social and political discourse, African hip hop has evolved the genre to fit the contours of contemporary African society. The objective of this issue is to explore the new and complex ways African hip hop artists are using hip hop as a means for social and political commentary.

There exists significant crossover between hip hop and other urban youth music in Africa, such as Kwaito in South Africa, Hiplife in Ghana, Genge in Kenya, and Bongo Flava in Tanzania. However, a focus on hip hop to the exclusion of other genres of African music allows for an enhanced investigation into the ways in which African hip hop artists are building upon the foundations laid by hip hop’s origins. Therefore putting the research in the context of broader linkages with African American hip hop, assists in revealing African hip hop artists own participation in social and political discourses. SUGGESTED TOPICS INCLUDE (BUT ARE NOT LIMITED TO) THE FOLLOWING:

*African hip hop artists as agents of social change

*The importance of language in hip hop’s social and/or political critique in Africa

*Hip hop and linkages between Africa and the African Diaspora

*Interactions between hip hop and the state in Africa                                            

*Representations of Africa in African hip hop

*Representations of the African Diaspora in African hip hop

*Representations of women and gender in African hip hop

 *African hip hop representations of Black identities

*Hip hop and social resistance in Africa                                                                                        

*Hip hop and confrontations with African social institutions *Articulations of hip hop’s fifth element (knowledge of self) in African hip hop 

Ghanaian hip hop artist Sarkodie performing in Los Angeles

SUBMISSION GUIDELINES
Submissions for this special issue should include an abstract of the proposed paper (approximately 300-500 words), the author’s contact details and institutional/community affiliation, as well as a short biography of the author(s) (200 words). Within the paper, do not include page numbers or the title on each page; place all end notes, footnotes and bibliographic information at the end of the paper. Abstracts (including submission queries) must be sent to guest editor, Msia Kibona Clark (mclark7@calstatela.edu) in MS word format via e-mail by 3 September 2012. Full papers are due by 1 February 2013. Potential authors should first review The Journal of Pan African Studies website (http://jpanafrican.com) to get a sense of the aim and scope of the journal. Authors should also follow the guidelines for authors at http://www.jpanafrican.com/submission.htm.

CONTACT INFORMATION: For queries/ submissions contact Msia Kibona Clark: mclark7@calstatela.edu