HHAP Episode 33: The Evolution of M.anifest, from “Immigrant Chronicles” to “God MC”

In this interview M.anifest  talks about his return to Ghana and his experiences in both the US and Ghana. As an artist whose music reflects Ghanaian, African, and Diaspora experiences and cultures, M.anifest brings an important level of intellectual complexity to hip hop culture. When I point these things out in the interview, M.anifest says that he does not want to “be an alternative to the mainstream, but to be an alternative in the mainstream”.
In the interview M.anifest talks about how his return (& his experiences in both the US and Ghana) has been reflected in his music. He discusses the music industries & creative scenes in the US and in Ghana, African MCs in the US hip hop scene, his impact on the hip hop & music scene in Ghana, and his collaborations with other artists, including the late South African hip hop artist, Hip Hop Pantsula (HHP).

In this episode we begin with a look back, musically, at Manifest’s career. We begin with the song “Africa Represent” from his 2007 album Manifestations, then “Motion Picture” from the 2011 album Immigrant Chronicles: Coming to America, and his 2016 single “God MC”. We will end the show with the song “Hand Dey Go, Hand Dey Come” from his 2016 album Nowhere Cool. 

Website: http://manifestmc.com
Facebook: https://www.facebook.com/manifestations/
Twitter: https://twitter.com/manifestive
Youtube: https://www.youtube.com/user/manifestmc
Instagram: https://www.instagram.com/manifestive/
iTunes: https://itunes.apple.com/us/artist/m-anifest/1377111213

Author: Msia Kibona Clark

Associate Professor in the African Studies Department at Howard University. Professor of the course Hip Hop and Social Change in Africa. Researcher and photographer of hip hop in Africa.

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