Student Project: Sierra Leone: The Hip Hop Hub

In our podcast on the discussion of hip-hop in Sierra Leone, we have come to the conclusion that hip-hop historically raises consciousness in its audience. Today, we see artists moving away from conscious rap to mote mainstream music in exchange for compensation. This migration away from the more conscious side of hip-hop is a representation of duality. In the case of Sierra Leone, Daddy Saj represents conscious rap while K-Man represents the hip-hop pop fusion. For the purpose of balance one can conclude that both sides of this hip-hop equation are necessary.

https://www.youtube.com/watch?v=fXjwCPkebo0

https://www.youtube.com/watch?v=R2Iu2GIKdMA

https://www.youtube.com/watch?v=9jOqOlETcRU

https://www.youtube.com/watch?v=QnrbCNz2XcM

https://www.youtube.com/watch?v=BS2cuB414R4


By Lexis Hill and Morgan Williams

In our podcast on the discussion of hip-hop in Sierra Leone, we have come to the conclusion that hip-hop historically raises consciousness in its audience. Today, we see artists moving away from conscious rap to mote mainstream music in exchange for compensation. This migration away from the more conscious side of hip-hop is a representation of duality. In the case of Sierra Leone, Daddy Saj represents conscious rap while K-Man represents the hip-hop pop fusion. For the purpose of balance one can conclude that both sides of this hip-hop equation are necessary.https://www.youtube.com/watch?v=fXjwCPkebo0

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