Journal of Pan African Studies: Hip Hop in Africa

I’ve recently edited a special edition of the Journal of Pan African Studies on hip hop in Africa. With articles by myself and a diversity of other scholars writing on Kenya, Nigeria, Senegal, South Africa, Tanzania, and Zimbabwe.

● The Struggle for Hip Hop Authenticity and Against Commercialization in Tanzania  by Msia Kibona Clark

● Urban Guerrilla Poetry: The Movement Y’ en a Marre and the Socio-Political Influences of Hip Hop in Senegal by Marame Gueye

● “Chant Down the System ‘till Babylon Falls”: The Political Dimensions of Underground Hip Hop and Urban Grooves in Zimbabwe by Katja Kellerer

● From Compton to Cape Town: Black(faceless)ness and the Appropriation of Gangsta Rap in Die Antwoord’s “Fok Julle Naaiers” by Lanisa Kitchiner

●The Hip Hop Revolution in Kenya: Ukoo Flani Mau Mau, Youth Politics and Memory, 1990-2012 by Mickie Mwanzia Koster

● Swag’ and ‘cred’: Representing Hip-hop in the African City by Caroline Mos

● Hip Hop Music as a Youth Medium for Cultural Struggle in Zanzibar by Shani Omari

● Troubling the Trope of “Rapper as Modern Griot” by Damon Sajnani

● “The Blueprint: The Gift and The Curse” of American Hip Hop Culture for Nigeria’s Millennial Youth by Stephanie Shonekan

Check out the issue: http://www.jpanafrican.org/archive_issues/vol6no3.htm
Cover photo is Thiat from the Senegalese group Keur Gui performing at the Trinity International Hip Hop Festival. Photo by Msia Kibona Clark. 

Author: Msia Kibona Clark

Assistant Professor in the African Studies Department at Howard University. Professor of the course Hip Hop and Social Change in Africa. Researcher and photographer of hip hop in Africa. View all posts by Msia Kibona Clark